Perhaps it was the AIDS Quilt that redefined what a monument could look like and who could create it. Or maybe it was the quilters of Gee's Bend or the Freedom Quilting Circle in Alabama, taking the scraps of their lives — old military camo uniforms, overalls, flour sacks — honoring the living and the dead. Quilts as monuments, memorials, large and small, stretch far back into our American story.

Monuments are a contentious issue these days in the South and beyond. But right now, in Alabama, the Sew Their Names Project — some 20 quilters, a reverend, and a judge — are bringing unlikely collaborations together to embroider the names of hundreds of forgotten people who were once enslaved. Creating quilts that record and tell.

Today The Kitchen Sisters, together with the Jule Collins Smith Museum of Fine Art at Auburn University, present: Quilts as Monuments: Sew Their Names

John Steinbeck called it “The Mother Road.” Songwriter Bobby Troup said it was where to go to get your kicks. Mickey Mantle swore, “If it hadn’t been for Highway 66 I never would have been a Yankee.”

The Kitchen Sisters spent the summer of 1984 traveling every inch of this storied highway — “The Main Street of America” — as it was closing, recording just about everything that moved between Chicago and LA and made a series of epic radio documentaries to commemorate the legendary road and what it meant to the nation. If I remember right we paid about $1.20 a gallon as we motored east to west.

In the summer of 1985 the road was officially removed from the United States Highway system and NPR’s All Things Considered aired our series of stories about the life and history of Route 66 filled with interviews with dozens and dozens of Americans whose lives intersected with The Mother Road, along with field recordings, archival audio, music and sound.

As Route 66 turns 100 we dipped into our archive to share these poignant and lively time capsules for your next road trip and your summer listening pleasure.

Our narrator is actor David Selby.

Today we’re celebrating Faith Spotted Eagle, an Ihanktonwan Oyate elder who has just received an honorary doctorate from South Dakota State University. We first met Faith in 2009 when we were working on our NPR Hidden World of Girls series — stories about rituals and rites of passage, of women who crossed a line, broke a trail, forged a path. That certainly describes Faith. 

When we opened up a phone line for the series and asked people to tell us their stories, Faith’s daughter Brook Spotted Eagle called in and left this message. 

Hi. My name is Brook Spotted Eagle. I belong to a women’s society on my reservation in South Dakota. The Brave Heart Women’s Society. My mother is one of the founding grandmother’s who has brought it back to life. Over the last 100 years we’ve lost a lot of our ceremonies. I’ll have to check with the elders, but when I saw the Hidden World of Girls I thought it would be amazing to share with other Native women the Isnati coming of age ceremony for our girls.

The Shakers. An offshoot sect of The Quakers, born in England in 1747. In worship they were known to break into states of ecstatic trembling. Trembling Quakers. Shaking Quakers. The Shakers. They came to America in 1774 with a utopian vision, egalitarian ideals, a belief in the equality of the sexes, a philosophy of communal, celibate, simple living. Known for their purposeful communities, their pacifism and legendary craftsmanship.

At their peak in the mid-nineteenth century there were some 6,000 Shakers worldwide. As of 2024 there were but two Shakers left in America, so it made headlines in 2025 when Sister April Baxter entered the fold. 

Four-time Academy Award winner Frances McDormand and artist Suzanne Bocanegra were inspired by the communal Shaker philosophy and aesthetic and were invited by The Shaker Museum in Chatham, New York to create a pop-up exhibit curated from the museum’s archive of Shaker furniture, textiles and goods. They called their installation “Cradled.” 

Maira Kalman's pop-up exhibition, Shaker Outpost: Design, Commerce and Culture, a curated selection of her favorite pieces from the vast Shaker Museum collection opens on Saturday, May 2 at 4 Depot Square in downtown Chatham, New York, running through Sunday, July 5. 

Along with the exhibit Maira and the Museum will open a General Store drawing on the historic tradition of Shakers’ public-facing stores where Shaker communities shared their goods for purchase with “the world.” Handmade crafts, food in the Shaker style, potholders, honey, ginger snaps, Swedish fish, sardines, marmalade made by TART, notebooks, textiles and items made by local artisans will all be on sale.

Come Life, Shaker Life was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Brandi Howell, Nathan Dalton and Hannah Kaye. Mixed by Jim McKee. 

Pioneering radio artist Larry Massett, a producer's producer, who led listeners into unexpected worlds and influenced so many in public radio and beyond, died last year at the age of 80. 

The Kitchen Sisters were fortunate to work with Larry on our NPR series Lost & Found Sound and Soundprint. He was a friend and colleague. 

We learned of Larry's passing last spring on Transom.org, the premier site for producers to come together, share their work, and access the latest tools and advice. 

It was there that we found a “Requiem for Larry Massett” created by Barrett Golding of Hearing Voices. We asked Barrett if he’d help produce an audio piece and bring it to air. He said yes. Transom said yes. And all of the producers who offered their memories said yes. And so, yes!

The Kitchen Sisters Present: “A Requiem for Larry Massett” — produced in collaboration with Barrett Golding and Transom.org.  

Featuring excerpts from some of Larry Massett's iconic radio works including: Listen Up: Piano Down the Stairs, A Trip to the Dentist, Helium Filled Astronaut, Death in Venice, The Road, Solidod, Apache Elder and more. 

With remembrances from Larry's friends and colleagues: Jay Allison, Art Silverman, Bob Boilen, Rob Rosenthal, Joe Frank, Jesse Boggs, Katie Davis, Erica Heilman, Susan Stamberg, Keith Talbot, Robin Wise, Scott Carrier.

Special thanks to Transom, Hearing Voices, NPR, Soundprint, Jake Fleming, The Shed Studio. And thanks to: Corporation for Public Broadcasting, National Endowment for the Arts, National Endowment for the Humanities. 

The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. We’re part of Radiotopia from PRX, a curated network of podcasts created by independent producers. Visit kitchensisters.org for more stories and news from The Kitchen Sisters.

Stucco arches, red tile floors, exposed beams — the look and feel of the houses in the oceanfront towns of Santa Barbara and Montecito can be attributed to a woman architect known by one name: Lutah. 

The Ohio-born and California-bred architect Lutah Maria Riggs was on track to be a teacher, one of few professions to welcome women in the early 20th century, when she won a scholarship to Berkeley by selling newspapers. Like architect Julia Morgan before her, she gained entry to the university's Beaux Arts influenced architecture program – one of only four women in her class. Also like Morgan, she was talented enough to capture the interest and mentorship of the head of the program, John Galen Howard, and a series of other older male architects who helped her launch her career and chaperoned her travel to Mexico, Spain, and other countries whose architecture was highly influential in California in the 1920s. 

Riggs's most famous public project, the Lobero Theater in downtown Santa Barbara, was directly influenced by a serendipitous stop in Spain. Traveling on her own, Riggs took advantage of the network of women's hotels and clubs available in those days. She was always up for a dance, and was even friends with Martha Graham when the modern dance pioneer spent time in Santa Barbara. 

Her work has helped define the indoor-outdoor, casual, one-story style that is most identified with southern California today. That has made her houses highly prized for their luxurious materials, swoon-worthy views, and easy living. Unlike many architects who focused on public commissions, many of her houses are still extant, and the real estate agents know what they've got. Zoe Saldana lives in a Lutah today, and architecture enthusiast Ellen DeGeneres has in the past. Riggs – who lived until the 1980s – continues to be one of Santa Barbara's most celebrated architects.  

Produced by Brandi Howell for the New Angle Voice Podcast presented by the Beverly Willis Architecture Foundation.

The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell.The Kitchen Sisters Present is part of PRX's Radiotopia podcast network.

On Sunday the first Oscar for Achievement in Casting will be given in the 98-year history of the Academy Awards. Today, The Kitchen Sisters and host Frances McDormand bring you the story of two legendary casting directors: Juliet Taylor and Ellen Lewis.

Listen to Part 1 of this saga: Everyone’s a Casting Director: The First-Ever Academy Award for Casting in the 98-Year History of the Academy Awards

“Casting is the first thing that is done on a movie. Everybody's sort of in a great mood, nothing's gone wrong yet, and everybody's feeling very positive. And it's the first time the director's heard the words read and it can really influence the way the movie goes.” —Juliet Taylor

During her career, Juliet cast 103 films including Annie Hall, Taxi Driver, Manhattan, Terms of Endearment, Big, Schindler's List, Midnight Cowboy, Network and so many more. 

“It's an old-fashioned trade. You are learning from the person that you are working for. That's like your graduate school.” —Ellen Lewis

Ellen has cast some dozen films for Martin Scorsese including Goodfellas, Casino, Gangs of New York, The Age of Innocence, Cape Fear, Kundun, The Wolf of Wall Street, The Irishman, The Departed, Killers of the Flower Moon. Also Forrest Gump, The Devil Wears Prada, A League of Their Own, lots of Jim Jarmusch movies, and the television series The Queen's Gambit, Godless, Boardwalk Empire and so much more.

“More than 90% of directing a picture is the right casting.” —Martin Scorsese

Have a Seat, The Casting Director Will See You Shortly: The Legends of Juliet Taylor & Ellen Lewis was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Nathan Dalton, Brandi Howell and Hannah Kaye. Mixed by Jim McKee.

Who discovered Diane Keaton and put her in Annie Hall? Who found Dustin Hoffman and made sure he played Ratso Rizzo in Midnight Cowboy? Who saw Jason Schwartzman and made sure Wes Anderson knew about him for Rushmore? Casting Directors, that’s who. 

When the 98th Oscar ceremony airs on March 15, the first Academy Award for Achievement in Casting will be given in nearly 100 years of Academy history. Five films, laden with stars and fascinating new discoveries, are nominated — Hamnet, Marty Supreme, One Battle After Another, The Secret Agent and Sinners. 

The Kitchen Sisters and four-time Academy Award winner Frances McDormand take us behind the scenes and into the lives and work of this first-ever batch of nominees and into the mysterious and fascinating world of film casting. 

Everyone's a Casting Director was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Nathan Dalton and Brandi Howell. Mixed by Jim McKee. Hosted by Frances McDormand.

Louis Jones is a keeper— working as a Field Archivist at the Reuther Library at Wayne State University in Detroit, he cares for the largest labor archive in North America. Home to numerous union and labor collections from around the country, the Reuther Library also actively collects material documenting Detroit’s civil rights movement, women’s struggles in the workplace, the LGBTQ Archive of Detroit and more.

Born in New York City, the grandson of a Pullman porter, Jones takes us through the archives with stories of the United Auto Workers, Cesar Chavez, Utah Phillips, A. Philip Randolph, the Civil Rights Movement, the 1967 Detroit uprising, and how archivists are examining and re-imagining their roles in the midst of Covid-19 and the Black Lives Matter movement.

Special thanks to the Reuther Library at Wayne State University, Detroit, Michigan; Nancy Beaumont and the Society of American Archivists (SAA); Paulina Hartono; The National Endowment for the Humanities; and supporters of The Kitchen Sisters Productions.

Produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. 

The Kitchen Sisters Present is part of Radiotopia from PRX.

On December 21, 2025, activist and trailblazer Betty Reid Soskin passed away in Richmond, California. She was 104. Over the years we've chronicled Betty's remarkable story and want to share it today in honor of Betty and Black History Month.

In 2011, at age 89, Betty became America's oldest national park service ranger, a position she held until she retired at 100. Her bold and forthright tours and talks at the Rosie the Riveter WWII Home Front Museum were legendary. As a Black woman who worked in the segregated war effort, she spoke from her personal experience revealing a fuller, richer understanding of the World War II years experienced by women and people of color on the home front.

Betty's Creole/Cajun family was from New Orleans and her great grandmother had been born into slavery in 1846. Displaced by the Great Mississippi Flood of 1927, Betty moved with her family to Oakland, where she grew up in the late 20s and 30s. During WWII she worked as a file clerk for Boilermakers Union A-36, a Jim Crow all Black union auxiliary, where she witnessed firsthand the discrimination faced by Black workers in the wartime industry.

Betty raised four children in the highly segregated Diablo Valley area where the family was subject to death threats. She and her first husband, Mel Reid, owned one of the first Black record shops west of the Mississippi located in Berkeley. She also worked as a Field Representative for California State Assembly women Dion Aroner and Lonnie Hancock. In 2016, at age 94, Betty survived a violent home invasion and returned to work at the Rosie the Riveter Museum just weeks later.

A singer, songwriter, poet and musician, Betty chronicled her life and work in a memoir, "Sign My Name to Freedom," which inspired both a stage play and a documentary film. Betty received numerous awards and honors throughout her life, including a presidential coin from Barack Obama in 2015 after she lit the national Christmas tree at the White House.

Special thanks to: The San Francisco Public Library and Shawna Sherman of the African American Center of the San Francisco Main Library; This is Love Podcast and creators Phoebe Judge and Lauren Spohrer; and A Lifetime of Being Betty, a Little Village Foundation recording release produced by Mike Kappus. Thanks also to Betty’s son, musician and songwriter Bob Reid  http://www.bobreidmusic.com/

The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. We are part of the Radiotopia network from PRX.