The Kitchen Sisters Present

Producer Zoe Kurland's father, costume designer Jeffrey Kurland, talks about designing the iconic push up bra for actress Julia Roberts for the film Erin Brockovich. Zoe follows the story interviewing the real Erin Brockovich and examining her own relationship to body image, confidence and identity. 

This story was written and produced by Zoe Kurland for Signal Hill, and edited by Liza Yeager and Jackson Roach. Sound design and additional production by Liza Yeager. Additional editorial support from Omar Etman, Annie Rosenthal, and the Issue Two cohort. Signal Hill is an independent, listener-funded, nonprofit publication.

Zoe is a writer and audio documentarian based in Texas. She has produced three award-winning podcasts, most recently reporting, producing and hosting A Whole Other Country (named one of the 20 best podcasts of 2025 by The Atlantic and featured in the 2026 Tribeca Film Festival). 

She started her career in audio working for The Kitchen Sisters, and later joined LAist as a producer. Her work has appeared in outlets such as New York Magazine, Signal Hill, Articles of Interest, and on APM’s Marketplace. She holds a national Edward R. Murrow Award for innovation in audio, twelve regional Edward R. Murrow Awards, and three Signal Awards.

The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. We're part of Radiotopia from PRX, a curated network of independent producers.

Find out more at kitchensisters.org, radiotopia.fm, signalhill.fm 

To mark the 25th anniversary of 9/11, we present the Peabody Award winning Sonic Memorial Project with a post script recorded on the 10th Anniversary by our narrator, Paul Auster. 

The Sonic Memorial Project began in October 2001 as part of the Lost & Found Sound series. We opened a phone line on NPR for listeners to call in with their stories and audio artifacts relating to the September 11 attacks and the history of the World Trade Center.

Hundreds of people called with testimonies and remembrances, music and shards of sound, joining a national collaboration chronicling the life and history of the World Trade Center and its surrounding neighborhood. 

Combining interviews, voicemail messages, audio contributions from listeners, oral histories, home videos and recorded sounds of all kinds, the Sonic Memorial Project team created a series of stories for broadcast on NPR’s All Things Considered, and this hour long special narrated by author Paul Auster.

The Sonic Memorial Project was produced by The Kitchen Sisters and Jay Allison,  in collaboration with NPR, independent radio producers, artists, writers, archivists, historians and public radio listeners throughout the country.

Tom Luddy was a quiet titan of cinema. He presided over the Pacific Film Archive in Berkeley for some 10 years, co-founded and directed the Telluride Film Festival for nearly 50 years, produced some 14 movies, match-made dozens of international love affairs, and foraged for the most beautiful, political, important, risky films and made sure there was a place for them to be seen in the world. And he made sure that the people making this powerful work were known and knew each other. 

Tom Luddy with his photographic memory, his infinite rolodex, his encyclopedic knowledge of global cinema and his catalytic ability to connect people, caused the most unusual of collaborations to come to be. 

Tom championed the French New Wave, the Czech New Wave, Brazilian cinema novo, dissident Soviet cinema, directors Francis Coppola, Jean-Luc Godard, Werner Herzog, Agnes Varda, Les Blank, Paul Schrader, Agnieszka Holland, Barry Jenkins, Laurie Anderson and countless others.

Tom passed away on February 13, 2023. There’s a giant hole in the screen without him here. But his DNA is in the hundreds of filmmakers, musicians, writers and activists he nurtured and inspired. As film enthusiasts gather this weekend at the Telluride Film Festival, The Kitchen Sisters Present... The Tom Luddy Connection: The Man, The Movies, The Rolodex. 

Produced by Evan Jacoby and The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Brandi Howell and Nathan Dalton. Mixed by Jim McKee.

The Hip Hop Archive at Harvard, the Pack Horse Librarians of Eastern Kentucky, the Lenny Bruce Archive, the Internet Archive and more surprising stories of preservation and civic life. 

With host, Academy Award-winning actress, Frances McDormand. 

The Kitchen Sisters Present Archiving the Underground, hour one of our two-part Keepers special. Stories of activist archivists, rogue librarians, curators, collectors and historians. Guardians of history, large and small. Protectors of the free flow of information and ideas. Keepers of the culture and the culture and collections they keep.

Interviews featured include: Dr. Marcyliena Morgan, founder of the Hip Hop Archive. 9th Wonder (aka Patrick Douthit), acclaimed hip-hop producer, DJ, and Nasir Jones Hip Hop Fellow who discusses setting the standards for the hip-hop canon. Henry Louis Gates Jr., the renowned Harvard professor and literary critic. Brewster Kahle, founder of the Internet Archive. Kitty Bruce, daughter of comedian Lenny Bruce, who details the creation and preservation of the Lenny Bruce Archive. And many more.

Produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) with Nathan Dalton and Brandi Howell. Mixed by Jim McKee.

Narrated by Andy Garcia. At the turn of the century until the 1930s in the cigar factories of Tampa and Ybor City, a well dressed man in a panama hat with a loud and beautiful voice sat atop a platform and read to the cigar workers as they rolled. These readers, known as Lectores de Tabaqueres, read Cervantes, Zola, Victor Hugo, Karl Marx, Jules Verne…. It was the voices and words of these lectores, before radio and mechanization, who informed, organized, and incited the cigar workers, who labored by hand until the 1930s, when both the rollers and readers were replaced by mechanization. A lost tradition of story and smoke.

From the Lost & Found Sound series on NPR. Produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) and Jay Allison. The Kitchen Sisters Present is part of Radiotopia from PRX.

As part of our Quilts as Monuments series we revisit the story of Gert McMullin and the AIDS Memorial Quilt, the gay rights movement in San Francisco, Harvey Milk, The White Night Riots and more.

In 1985, Gert McMullin was one of the first San Franciscans to put a stitch on the AIDS Quilt, the quilt that began with one memorial square in honor of a man who had died of AIDS, and that now holds some 110,000 names. The quilt is made up of some 50,000 panels, each 3x6 feet, the size of a grave. It weighs 60 tons. End to end, it would stretch out more than 50 miles.

Gert never planned it this way, but over the decades she has become the keeper of the quilt and has stewarded it, repaired it, tended it, traveled with it and conserved it for some 33 years now.

In 2020, when COVID-19 hit, Gert was one of the first Bay Area citizens to begin sewing masks—PPE for nurses and health care workers who were lacking proper protection—masks she made from fabric left over from the AIDS Quilt. The comfort, outrage and honoring of an earlier pandemic being used to protect people from a new one.

In January of 2020, the AIDS Memorial Quilt, now part of the National AIDS Memorial, returned home to the Bay Area after 16 years in Atlanta. It took six 52-foot semis to get it there. The extensive AIDS archive, which Gert gathered, collected and protected since its earliest days, is now part of the American Folklife Center at the Library of Congress in Washington, DC.

This episode features interviews with LGBT rights activist Cleve Jones who worked with Harvey Milk and conceived of the AIDS Memorial Quilt, and John Cunningham, executive director of the National AIDS Memorial.

Produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. Mixed by Jim McKee. The Kitchen Sisters Present is part of Radiotopia from PRX.

Olivia Wilde. Actor. Director. Producer. Olivia comes from a long line of journalists, a British father and an American mother, who have made groundbreaking investigative documentaries. The late writer Christopher Hitchens, a friend of the family, was her babysitter. She grew up in a world of words, a world of stories, a world of speaking truth to power. She chose her stage name in honor of Oscar Wilde, a writer she admires.

Olivia starred in dozens of TV shows and movies before directing her first feature in 2019, the raunchy, high-stakes, hilarious, high school comedy, Booksmart.

Her latest movie, The Invite, is a tight ensemble film, which she both directs and acts in alongside Penelope Cruz, Edward Norton and Seth Rogen.

The Invite was a smash hit at the Sundance Film Festival in January — the last one in Park City, Utah — and set off one of those legendary bidding wars you hear about like Sex, Lies, and Videotape did back in the day.

In April The Invite opened the San Francisco Film Festival at the newly renovated historic Castro Theatre and Olivia came to see us in the studios of KQED just before the screening to talk about the movie and her path as a filmmaker.

Perhaps it was the AIDS Quilt that redefined what a monument could look like and who could create it. Or maybe it was the quilters of Gee's Bend or the Freedom Quilting Circle in Alabama, taking the scraps of their lives — old military camo uniforms, overalls, flour sacks — honoring the living and the dead. Quilts as monuments, memorials, large and small, stretch far back into our American story.

Monuments are a contentious issue these days in the South and beyond. But right now, in Alabama, the Sew Their Names Project — some 20 quilters, a reverend, and a judge — are bringing unlikely collaborations together to embroider the names of hundreds of forgotten people who were once enslaved. Creating quilts that record and tell.

Today The Kitchen Sisters, together with the Jule Collins Smith Museum of Fine Art at Auburn University, present: Quilts as Monuments: Sew Their Names

John Steinbeck called it “The Mother Road.” Songwriter Bobby Troup said it was where to go to get your kicks. Mickey Mantle swore, “If it hadn’t been for Highway 66 I never would have been a Yankee.”

The Kitchen Sisters spent the summer of 1984 traveling every inch of this storied highway — “The Main Street of America” — as it was closing, recording just about everything that moved between Chicago and LA and made a series of epic radio documentaries to commemorate the legendary road and what it meant to the nation. If I remember right we paid about $1.20 a gallon as we motored east to west.

In the summer of 1985 the road was officially removed from the United States Highway system and NPR’s All Things Considered aired our series of stories about the life and history of Route 66 filled with interviews with dozens and dozens of Americans whose lives intersected with The Mother Road, along with field recordings, archival audio, music and sound.

As Route 66 turns 100 we dipped into our archive to share these poignant and lively time capsules for your next road trip and your summer listening pleasure.

Our narrator is actor David Selby.

Today we’re celebrating Faith Spotted Eagle, an Ihanktonwan Oyate elder who has just received an honorary doctorate from South Dakota State University. We first met Faith in 2009 when we were working on our NPR Hidden World of Girls series — stories about rituals and rites of passage, of women who crossed a line, broke a trail, forged a path. That certainly describes Faith. 

When we opened up a phone line for the series and asked people to tell us their stories, Faith’s daughter Brook Spotted Eagle called in and left this message. 

Hi. My name is Brook Spotted Eagle. I belong to a women’s society on my reservation in South Dakota. The Brave Heart Women’s Society. My mother is one of the founding grandmother’s who has brought it back to life. Over the last 100 years we’ve lost a lot of our ceremonies. I’ll have to check with the elders, but when I saw the Hidden World of Girls I thought it would be amazing to share with other Native women the Isnati coming of age ceremony for our girls.