November 1998. Truth or Consequences, New Mexico. Luna takes a night clerk job at the Adobe Lodge to make ends meet. On her first shift, she notices a sliver of light under the door of Room 12—a room that’s supposed to be empty. Inside, she finds a half-empty glass of water, a static-filled TV, and a live feed of her own hallway. The next night, the TV shows a woman from 1972, staring through the screen. A quiet, slow-burn encounter about what lingers in motel rooms long after the guests check out. No answers. Only the feeling of being watched.

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