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We are accustomed to thinking about the achievements of modern technology in terms of extremes: the utopian wonders that will come from our ever-increasing power over nature, and the fear that we will misuse this power in terrible ways. The fear, at any rate, finds its classic expression in Mary Shelley’s Frankenstein. In contrast, Rabbi Yudel Rozenberg’s 1909 novel The Golem and the Wondrous Deeds of the Maharal of Prague paints a nuanced, non-utopian picture of the circumstances under which the creation of an artificial human-like being does not have tragic consequences.
In Ari's conversation with Charles T. Rubin, they discuss the circumstances under which human artifice is more, rather than less, likely to be deployed for the good.
Charles T. Rubin teaches political philosophy at Duquesne University, Pittsburgh.
Learn more about his course here: https://www.dropbox.com/s/rt4jg1z05i1k7mz/The%20Golem%20and%20the%20Limits%20of%20Artifice%20-%20Reader.pdf?dl=0
By Tikvah4.4
3838 ratings
We are accustomed to thinking about the achievements of modern technology in terms of extremes: the utopian wonders that will come from our ever-increasing power over nature, and the fear that we will misuse this power in terrible ways. The fear, at any rate, finds its classic expression in Mary Shelley’s Frankenstein. In contrast, Rabbi Yudel Rozenberg’s 1909 novel The Golem and the Wondrous Deeds of the Maharal of Prague paints a nuanced, non-utopian picture of the circumstances under which the creation of an artificial human-like being does not have tragic consequences.
In Ari's conversation with Charles T. Rubin, they discuss the circumstances under which human artifice is more, rather than less, likely to be deployed for the good.
Charles T. Rubin teaches political philosophy at Duquesne University, Pittsburgh.
Learn more about his course here: https://www.dropbox.com/s/rt4jg1z05i1k7mz/The%20Golem%20and%20the%20Limits%20of%20Artifice%20-%20Reader.pdf?dl=0

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