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Hong Kong born and raised curator Eunice Tsang shares with us the carnivalesque, rituals and activism that can come from the sound of beating drums. How this can be an instrument to open informal spaces and occupy them temporarily. As communities and in individual rites. To activate exchange and sharpen our senses.
The conversation also speaks about languages. The tongue of Eunice’s professional past as a journalist, as well as the story of her own family history, which together is also a telling story of Hong Kong itself.
This is a special two-part edition of The Listening Tide and was graciously hosted by and made in collaboration with Current Plans in Hong Kong, of which Eunice Tsang is founder and director, as well as a curator for M+ in Hong Kong.
Hong Kong born and raised curator Eunice Tsang shares with us the carnivalesque, rituals and activism that can come from the sound of beating drums. How this can be an instrument to open informal spaces and occupy them temporarily. As communities and in individual rites. To activate exchange and sharpen our senses.
The conversation also speaks about languages. The tongue of Eunice’s professional past as a journalist, as well as the story of her own family history, which together is also a telling story of Hong Kong itself.
This is a special two-part edition of The Listening Tide and was graciously hosted by and made in collaboration with Current Plans in Hong Kong, of which Eunice Tsang is founder and director, as well as a curator for M+ in Hong Kong.