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Dashiell Hammett's "The Maltese Falcon" wastes no time cutting shapes and setting angles in its pursuit of modelling the hard-boiled genre. The opening sentence alone produces enough sharp edge to slice through a striploin at Herbert's on Powell Street: "Samuel Spade's jaw was long and bony, his chin a jutting V under the more flexible V of his mouth." However, in spite of its influence, the whetted and defining weaponry of Hammett's straight-ahead narrative isn't to everybody's literary taste and debate remains strong over this classic crime story. Join us as we light the pipes and share conversation over this perennial text.
By Lighting the Pipes5
22 ratings
Dashiell Hammett's "The Maltese Falcon" wastes no time cutting shapes and setting angles in its pursuit of modelling the hard-boiled genre. The opening sentence alone produces enough sharp edge to slice through a striploin at Herbert's on Powell Street: "Samuel Spade's jaw was long and bony, his chin a jutting V under the more flexible V of his mouth." However, in spite of its influence, the whetted and defining weaponry of Hammett's straight-ahead narrative isn't to everybody's literary taste and debate remains strong over this classic crime story. Join us as we light the pipes and share conversation over this perennial text.