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In 2000, The Marshall Mathers LP entered a pop industry built on purity, colorful imagery and synchronized choreography. Eminem arrived through the same doors but played a different game at the time of release of his breakthrough album. His rollout used spectacle and provocation as strategy. The singles, the videos, the press were all calculated to test how far a rapper could go inside a system built for pop.
By Joe KamsIn 2000, The Marshall Mathers LP entered a pop industry built on purity, colorful imagery and synchronized choreography. Eminem arrived through the same doors but played a different game at the time of release of his breakthrough album. His rollout used spectacle and provocation as strategy. The singles, the videos, the press were all calculated to test how far a rapper could go inside a system built for pop.