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In this delightfully farcical and absurdly complicated comedy, Sir John Falstaff takes a break from partying with the Prince of Wales to woo two not-so-desperate housewives at the same time in the London suburb of Windsor while a Frenchman, a judge, and the boy-next-door seek to marry one of those housewives’ daughters. In their discussion of a play that some commentators allege that Shakespeare wrote at the request of Queen Elizabeth I, Will and James discuss whether it counts as a spin-off and whether or not spin-offs can succeed on their own merits. //. Credits //. Intro Music: Jon Sayles, "The Witches' Dance" (composed by anonymous); Outro Music: Jon Sayles, “Saltarello” (composed by anonymous); Illustrative Excerpts: “The Merry Wives of Windsor,” dir. Fiona Laird, Royal Shakespeare Company (2018); “The Simpsons Spinoff Showcase,” The Simpsons, dir. Neil Affleck (1997)
By James A. Smith, William C. Quinn4.9
3131 ratings
In this delightfully farcical and absurdly complicated comedy, Sir John Falstaff takes a break from partying with the Prince of Wales to woo two not-so-desperate housewives at the same time in the London suburb of Windsor while a Frenchman, a judge, and the boy-next-door seek to marry one of those housewives’ daughters. In their discussion of a play that some commentators allege that Shakespeare wrote at the request of Queen Elizabeth I, Will and James discuss whether it counts as a spin-off and whether or not spin-offs can succeed on their own merits. //. Credits //. Intro Music: Jon Sayles, "The Witches' Dance" (composed by anonymous); Outro Music: Jon Sayles, “Saltarello” (composed by anonymous); Illustrative Excerpts: “The Merry Wives of Windsor,” dir. Fiona Laird, Royal Shakespeare Company (2018); “The Simpsons Spinoff Showcase,” The Simpsons, dir. Neil Affleck (1997)

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