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Supervising sound editor, Nina Hartstone reflects on her journey from the cutting rooms at Pinewood Studios as a trainee, to where she is today, and delves into her sound design and ADR work on 1994’s Interview with a Vampire, 2013’s Gravity, Bohemian Rhapsody, and 2023’s Saltburn (including *that* plug scene), and Black Mirror's Black Museum episode. She also explains why Genelec speakers have been her monitors of choice throughout her career.
By Headliner5
33 ratings
Supervising sound editor, Nina Hartstone reflects on her journey from the cutting rooms at Pinewood Studios as a trainee, to where she is today, and delves into her sound design and ADR work on 1994’s Interview with a Vampire, 2013’s Gravity, Bohemian Rhapsody, and 2023’s Saltburn (including *that* plug scene), and Black Mirror's Black Museum episode. She also explains why Genelec speakers have been her monitors of choice throughout her career.