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The Music Industry Does Not Hate AI. It Hates AI It Cannot Control.
The music industry has always been very good at one thing: warning artists about the future while quietly buying stock in it.
That is the part nobody says loud enough.
Every time a new technology shows up, the official story is usually fear. The industry tells artists that the new tool is dangerous, cheap, disrespectful, fake, or bad for music. Then, once the panic has done its job, the same industry finds a way to license it, own it, control it, monetize it, and place itself right back in the middle of the money flow.
We saw it with downloads. We saw it with streaming. We saw it with social media. We saw it with playlist culture. Now we are watching the same movie again with artificial intelligence.
The public message is simple: AI is bad for music.
The private strategy is more interesting: AI is a new revenue model, and the major players want to make sure they control the tollbooths before independent artists figure out how powerful these tools really are.
http://www.makingascene.org
By Richard LHommedieu1
11 ratings
The Music Industry Does Not Hate AI. It Hates AI It Cannot Control.
The music industry has always been very good at one thing: warning artists about the future while quietly buying stock in it.
That is the part nobody says loud enough.
Every time a new technology shows up, the official story is usually fear. The industry tells artists that the new tool is dangerous, cheap, disrespectful, fake, or bad for music. Then, once the panic has done its job, the same industry finds a way to license it, own it, control it, monetize it, and place itself right back in the middle of the money flow.
We saw it with downloads. We saw it with streaming. We saw it with social media. We saw it with playlist culture. Now we are watching the same movie again with artificial intelligence.
The public message is simple: AI is bad for music.
The private strategy is more interesting: AI is a new revenue model, and the major players want to make sure they control the tollbooths before independent artists figure out how powerful these tools really are.
http://www.makingascene.org

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