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What happens when a story kills the person you thought it revolved around? In this episode, we explore the risky but powerful storytelling move of eliminating a main character early, using Succession’s shocking death of Logan Roy as a central case. From Psycho to The Wire and Game of Thrones, writers have used the “false protagonist” to upend expectations, forcing audiences—and surviving characters—to confront uncertainty, loss, and chaos. These moments can feel like betrayal, but they also strip away narrative comfort, redirect power, and reveal who people really are when the center collapses. By breaking the rules of traditional plot arcs, these deaths make fiction feel truer to life: abrupt, unfair, and transformative.
https://www.economist.com/culture/2023/05/02/what-happens-when-a-story-loses-a-main-character
By HSWhat happens when a story kills the person you thought it revolved around? In this episode, we explore the risky but powerful storytelling move of eliminating a main character early, using Succession’s shocking death of Logan Roy as a central case. From Psycho to The Wire and Game of Thrones, writers have used the “false protagonist” to upend expectations, forcing audiences—and surviving characters—to confront uncertainty, loss, and chaos. These moments can feel like betrayal, but they also strip away narrative comfort, redirect power, and reveal who people really are when the center collapses. By breaking the rules of traditional plot arcs, these deaths make fiction feel truer to life: abrupt, unfair, and transformative.
https://www.economist.com/culture/2023/05/02/what-happens-when-a-story-loses-a-main-character