150 years after its creation, Henrik Ibsen's play Peer Gynt remains sui generis and uncategorizable: folktale and fever dream, existential inquiry and social satire, straddling romanticism and modernism. Its locales include Norwegian mountain villages, a troll castle, the Moroccan coast and a Cairo lunatic asylum. A new adaptation mounted by Kimberly Jannarone at UC Santa Cruz turns Gynt into a kind of living gallery, with different scenes staged simultaneously in multiple venues and the audience wandering among them. Kimberly spoke to me about the history of the play, her own Gynt-mania (including a trip to Gynt's Norwegian stomping grounds) and the play's enduring popularity. Joining us was actor Nancy Carlin, who plays Peer Gynt's mother Åse in the production.