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Recalling the experimental films of David Lynch or Andrei Tarkovsky, Chris Reynolds's comic books, newly anthologized as The New World, confound his readers' expectations at every turn. In these dream-like narratives, Reynolds twists the trope of a space-helmeted comic-book hero into an uncanny figure. Comic-book plotlines, including kidnappings and interplanetary travel, dissipate as the story shifts to focus instead on ominous silences, images of weirdly depopulated cityscapes, and the mysterious appearance of a massive Roman archway. On this episode of the Organist, the artist speaks with the novelist and critic Ed Park. We also hear reflections from the celebrated graphic novelist Seth, who edited and designed this new collection, interwoven with audio adaptations of some of the more beguiling stories from the book.
By Andrew Leland4.8
361361 ratings
Recalling the experimental films of David Lynch or Andrei Tarkovsky, Chris Reynolds's comic books, newly anthologized as The New World, confound his readers' expectations at every turn. In these dream-like narratives, Reynolds twists the trope of a space-helmeted comic-book hero into an uncanny figure. Comic-book plotlines, including kidnappings and interplanetary travel, dissipate as the story shifts to focus instead on ominous silences, images of weirdly depopulated cityscapes, and the mysterious appearance of a massive Roman archway. On this episode of the Organist, the artist speaks with the novelist and critic Ed Park. We also hear reflections from the celebrated graphic novelist Seth, who edited and designed this new collection, interwoven with audio adaptations of some of the more beguiling stories from the book.

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