onto the penultimate live Paranoid Squirrel Rock Show of 2015. Long-time
listeners are aware that I am a Triple X L fan of The Damned, so having missed
out on seeing them at The Roundhouse in the Summer as soon as I heard the band
were playing in London just before Christmas a ticket was secured. Safe in the
knowledge that as One Direction were now on a break I wouldn’t be required to
escort my teenage Daughter to one of their gigs. I might moan about lack of new
material or even songs from the last three Damned albums being conspectus by
their absence from the set-list, but as soon as Captain surfs onto the Islington
Academy stage saying “Hello, My name’s Captain Sensible, Merry Fucking
Christmas. We’re The Damned and we sound something like this” and then launches
into “Wait For The Blackout” nothing else matters. It’s a fan friendly set
nothing post “Anything”. Obviously “Sanity Clause” and “The Turkey Song” with
accompaniment on the latter from Charlie Harper and Gaye Advert are aired as it
is the season. Captain has guitar issues throughout the set, changing his
Gibson SG nearly after ever song and sometime during. The biggest light bulb
moment of the gig was Captain implying “Neat, Neat, Neat” was more than just a
nod to the style Eddie Cochran. “Smash It Up” finishes the set off with Captain
trying to outstaying his welcome by giving us a vocal rendition of “Happy
Talk”. The Damned don’t seem to have anything lined up until the Royal Albert
Hall Concert in May, which obviously is something to really look forward to. I
have heard that Graham Humphreys, the artist who did the Artwork for The Evil
Dead, The Lords of The New Church and Brian James’ “Guitar That Dripped Blood”
album, is involved in some way over the 40th Anniversary and he was