Roller skating is having a moment.  Instagram videos of roller skaters doing synchronised dances went viral over lockdown and inspired a new generation to get on four wheels. Somerset House Studios artist Tyreis Holder was one of them. She discovered skating during lockdown and in her words, it saved her life.  In this episode of the Process, Tyreis joins the dots between her art practice, poetry and her love of skating, tracing its history within the black community in London. She heads out to Hyde Park to talk to artist and coach Marilyn Fontaine, part of an older generation of black skaters in London who shares how skating has been transformative in her life and was integral to the development of underground music and fashion through the 80s. In a candid and personal conversation, Tyreis and Marilyn share how skating has helped them navigate intergenerational trauma and gain a sense of freedom, inspiring Tyreis to invite her own family to get on four wheels to begin a process of healing.

Additional music in this episode is by Dialgo, D.A.H Trump and Siddhartha Corsus 

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We’re used to experiencing the work of an artist in its final form - in the gallery, on the stage, or mixed on an album. But what has been the journey to get there? Somerset House is home to a community of over 100 artists and makers. (And by extension,  it is often the home for the artistic process too), with much of the work we present being conceived and made in the building, from start to finish. 

This podcast goes behind the scenes on that process with the artists themselves. Each episode explores one big idea emerging from a work in progress and follows the thread, from the artists’ initial inspiration, through the cross section of thinkers who helped them get there, to hear the form it might take next. 

Producer: Alannah Chance

Series Presenter: Laurent John

Exec Producer: Eleanor Scott

Theme music is by Ka Baird

Additional music by Harry Murdoch

Mastered by: Nick Ryan

Produced as part of the Creators-in-Residence Programme 2021

Supported by The Rothschild Foundation