This episode explores the work of French composer Éliane Radigue, whose devotional approach to sound and deep listening challenged Hope to reconsider the role of the composer entirely. Drawing on the writing of Julia Eckhardt, the vision of composer/director Heiner Goebbels, and the sonic world-building of Maryanne Amacher, Hope traces a new paradigm: composer as curator, as beekeeper, as ambient host of experiences that bypass the thinking mind and land somewhere deeper.

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