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This show ended up with more of a novelty-song focus than I’d intended, but I guess it’s all based on which records I bring, so I can’t really dodge the blamethrower…!
Standouts include the Sa-Ra MMW remix, the O’Jay’s glimpse into the future & Chic’s “Happy Man,” which will be stuck in your head for days afterward (if you’re lucky!). Also, a begrudging commendation to Chevy Chase for being an early-enough-adopter to recognize that hip-hop music was a significant enough musical trend to merit parody. (Even if his parody is on the lamer side—basically, almost on par with any given wack rap song from that era…)
Also, the classic Hall & Oates song, “Kerry,” was actually co-written by Stephen Dees; the version here comes from Dees’ solitary solo album, produced by Daryl Hall himself.
The Revolutionary Plastics Hour: Volume Fifteen
The Clash – Magnificent Dance (instrumental)
By Revolutionary Plastics Hour5
11 ratings
This show ended up with more of a novelty-song focus than I’d intended, but I guess it’s all based on which records I bring, so I can’t really dodge the blamethrower…!
Standouts include the Sa-Ra MMW remix, the O’Jay’s glimpse into the future & Chic’s “Happy Man,” which will be stuck in your head for days afterward (if you’re lucky!). Also, a begrudging commendation to Chevy Chase for being an early-enough-adopter to recognize that hip-hop music was a significant enough musical trend to merit parody. (Even if his parody is on the lamer side—basically, almost on par with any given wack rap song from that era…)
Also, the classic Hall & Oates song, “Kerry,” was actually co-written by Stephen Dees; the version here comes from Dees’ solitary solo album, produced by Daryl Hall himself.
The Revolutionary Plastics Hour: Volume Fifteen
The Clash – Magnificent Dance (instrumental)