About This Episode
What if the machines everyone fears could be built to protect the very thing they seem to threaten? In this episode, Mazarine sits down with Chloë Ryan; an artist-turned-engineer who sold her first paintings at fourteen, built her first robots at nineteen, and decided the two were never separate lives at all. Her company, Acrylic, builds robots that make real paintings, with real paint on real canvas, while the artists keep their copyright and earn on every piece. They talk about why culture is “melting” into grey sameness, how originality becomes affordable rather than rare, and the three C’s she builds everything on: consent, credit, and compensation. A conversation about identity, self-authorship, and putting colour back into a world that’s quietly gone beige, between two artists who see the same gap from different sides of the machine.
About Chloë Ryan
Chloë Ryan is the founder and CEO of Acrylic, the art partner that designers and hospitality groups trust to craft original work to brief; real paint on real canvas, at any scale from a single piece for a home to a hundred for a hotel."
An artist-turned-engineer, she sold her first paintings at fourteen and built her first robots at nineteen, then set out to do for painting what technology long ago did for music and the written word: bring it, at quality, to everyone.
Acrylic’s model keeps the artistry human composition, palette, judgment while artists retain their copyright and earn on every piece produced. Her work has shown at Art Basel, Adobe’s Future of Art exhibition, the Canadian National Exhibition, AWS’s Generative AI Pioneers tour, and the New York Stock Exchange; she has pitched on Dragon’s Den and been featured in Barron’s, Yahoo Finance, the Associated Press, CBC and more and is the recipient of 20+ international accolades for her work at the collision point of AI, robotics, design and creativity.
What We Cover
– Why an artist learned to build robots and when she realised the two were the same act of creation
– What actually drove her in the early days: curiosity, joy, and the thrill of proving it possible
– The difference between craftsmanship and creativity and why they aren’t the same thing
– Why “culture is melting,” and how the world traded colour for grey walls and templated sameness
– How AI could make conformity effortless and why she believes that will make originality cool again
– The three pillars of self-authorship: cultural appetite, identity, and taste
– Building the machine that makes originality affordable the opposite of the industrial revolution
– The three C’s she runs her company by: consent, credit, and compensation
– Why she builds tools to scale the vision rather than painting it all by hand
– Perspective, pareidolia, and why art only works because no two people see the same thing
– What it means to help every person own their identity and add colour back to their life
Standout Lines
“Art and engineering are really not that dissimilar the parts of engineering I love are the creative parts.”
“Conformity is going to become less and less cool.”
“The industrial revolution made objects cheap by making them identical. We built the opposite machine, one that makes originality affordable.”
“If I tried to make the world more colourful through my own paintings, I’d make a respectable dent. So I built a machine instead.”
Links & Resources
– Acrylic: submit a brief & designer portal: www.artbyacrylic.com
– Acrylic Robotics: the robotics & technology: www.acrylicrobotics.ca
– Chloë Ryan on LinkedIn: https://www.linkedin.com/in/chloeryan2/
– Acrylic on Instagram: @acrylicdesign
– The Art Brewery: www.theartbrewery.com
– Mazarine Memon on LinkedIn: https://www.linkedin.com/in/mazarinememontheartbrewery/
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