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This episode is the launch of our second season “Art and Culture on the Peripheries.” In this series we concentrate on urban contexts through conversations with cultural producers working in the Brazilian peripheries. For this episode “The Scream of the Streets” we talked in person with the visual and grafitti artist Eder Muniz, known in the streets of Salvador as Calangoss. Eder Muniz shares his journey as a young Black man growing up in his neighborhood and how street art freed him from oppressive structures to become a global artist known for his images and messages left in every part of his city. With his daily works on the streets, Calangoss has become an unforgettable reference for Brazilian art in the world.
By Jamie Andreson5
88 ratings
This episode is the launch of our second season “Art and Culture on the Peripheries.” In this series we concentrate on urban contexts through conversations with cultural producers working in the Brazilian peripheries. For this episode “The Scream of the Streets” we talked in person with the visual and grafitti artist Eder Muniz, known in the streets of Salvador as Calangoss. Eder Muniz shares his journey as a young Black man growing up in his neighborhood and how street art freed him from oppressive structures to become a global artist known for his images and messages left in every part of his city. With his daily works on the streets, Calangoss has become an unforgettable reference for Brazilian art in the world.