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This week Cinphomaniac visits the 1963 under-appreciated masterpiece, The Servant - written by Harold Pinter, directed by Joseph Losey, and starring Dirk Bogarde in an absolutely iconic tour de force performance. Marcus and Dana breakdown the film's highly transgressive, for the time, explorations of class, sex, drugs, power, and Jungian Psychology. Being one of Marcus's Top Five Films Of All-Time, he probes the deepest levels of its endless re-watchability, while Dana lends the perspective of a first time viewer to the film's many shocking twists and unconventional structure. They also discuss Dirk Bogarde's incredible body of work, including a brief breakdown of two of his other, far ahead of their time, classics, Accident (1967) and Cast A Dark Shadow (1955), as well as The Servant's other brilliant lead and supporting performances from James Fox, Sarah Miles, and Wendy Craig.
From the archive: April 7th, 2021
By Marcus HartThis week Cinphomaniac visits the 1963 under-appreciated masterpiece, The Servant - written by Harold Pinter, directed by Joseph Losey, and starring Dirk Bogarde in an absolutely iconic tour de force performance. Marcus and Dana breakdown the film's highly transgressive, for the time, explorations of class, sex, drugs, power, and Jungian Psychology. Being one of Marcus's Top Five Films Of All-Time, he probes the deepest levels of its endless re-watchability, while Dana lends the perspective of a first time viewer to the film's many shocking twists and unconventional structure. They also discuss Dirk Bogarde's incredible body of work, including a brief breakdown of two of his other, far ahead of their time, classics, Accident (1967) and Cast A Dark Shadow (1955), as well as The Servant's other brilliant lead and supporting performances from James Fox, Sarah Miles, and Wendy Craig.
From the archive: April 7th, 2021