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We trace Robert Redford’s legacy beyond an MCU headline, then dive into why Avatar sells without a fandom, how trailers keep spoiling films, and where views don’t equal tickets. We unpack the muscle and mystery of PTA’s One Battle After Another, contrast it with The Smashing Machine’s safety, and finish with a joyous chat about Lesbian Space Princess and the future of adult animation in Australia.
• Redford’s impact on Sundance and independent film
• Why Avatar works as pure escapism despite quiet fandom
• Trailer culture fatigue and spoiler creep
• Views vs box office and the Morbius lesson
• PTA’s evolution and One Battle After Another’s themes
• Performances, cinematography and awards prospects
• The Smashing Machine’s missing grit and brand-safe choices
• Adult animation craft and the making of Lesbian Space Princess
Don’t forget: “Straight after this, a little bonus interview with directors Leela Vargis and Emma Hobbs for Lesbian Space Princess — you can still watch it at Nova”
By AlaisdairSend us a text
We trace Robert Redford’s legacy beyond an MCU headline, then dive into why Avatar sells without a fandom, how trailers keep spoiling films, and where views don’t equal tickets. We unpack the muscle and mystery of PTA’s One Battle After Another, contrast it with The Smashing Machine’s safety, and finish with a joyous chat about Lesbian Space Princess and the future of adult animation in Australia.
• Redford’s impact on Sundance and independent film
• Why Avatar works as pure escapism despite quiet fandom
• Trailer culture fatigue and spoiler creep
• Views vs box office and the Morbius lesson
• PTA’s evolution and One Battle After Another’s themes
• Performances, cinematography and awards prospects
• The Smashing Machine’s missing grit and brand-safe choices
• Adult animation craft and the making of Lesbian Space Princess
Don’t forget: “Straight after this, a little bonus interview with directors Leela Vargis and Emma Hobbs for Lesbian Space Princess — you can still watch it at Nova”