In this episode we talk to the sound team behind the new Halo TV series, with Supervising Sound Editor Jane Tattersall, Re-Recording Mixers Matthew Chan and Lou Solakofski as well as Sound Designer Brennan Mercer.  They tell us about their ATMOS workflow from sound editorial to remote playbacks, their philosophies behind making ambience tracks feel full of life and the many different voice treatments in the series. We also dig deep into how the sounds for the Spartan's armoured suits were built with examples of each layer.

Episode notes: https://tonebenderspodcast.com/192-the-sound-of-halo/

Podcast Homepage: https://tonebenderspodcast.com

192 - The Sound Of Halo

Tonebenders is a Sound Design podcast dedicated to covering the worlds of sound editing, field recording and audio post production for film, television and gaming.  Through interviews and experiments we delve into everything from foley to plugins.  Check us out at www.tonebenderspodcast.com

TV & Film

How do you tackle sound design for a massive car chase scene, that has a fist fight happening on top of the vehicles? For director David Leitch's new film, The Fall Guy, the sound editorial team had their hands (ears?) full to make the movie sound as good as it looked.  In this conversation they go down the road, on how to make a car crash sound impactful, what tools they use for cleaning up tricky dialog and how they deliver the reverb treatments for their sound design to the mixing stage. After that (37:40) Lewis Thompson joins to talk about the upcoming AIrCon virtual audio conference happening from June 10th-14th, 2024. For more info go to www.airwiggles.com
Show Notes: https://tonebenderspodcast.com/261-the-fall-guy-sound-editorial-team/

Podcast Homepage:  https://tonebenderspodcast.com

Tonebenders Host This Episode: Timothy Muirhead

261 - The Fall Guy Sound Editorial Team

For many people that work in sound design, their dream job would be to work on a western. There are the guns, the horses, the creaky floors, and most of all the dusty wide open spaces.  They all provide a great playground to create compelling sound, to support the stories of lawmen and the outlaws they seek to bring to justice. So we got the sound team behind the new western series Lawman: Bass Reeves, to take us through how they made this series sound so great. Dialog & Music Re-Recording MIxer Lindsey Alvarez, Effects & Foley Re-Recording Mixer Brad Zoern and Supervising Sound Editor George Haddad, tell us why they love working in this genre.
Show Notes:  https://tonebenderspodcast.com/260-sound-design-for-westerns-bass-reeves/

Podcast Homepage:  https://tonebenderspodcast.com

Tonebenders Host This Episode: Timothy Muirhead

260 - Sound Design For Westerns: Bass Reeves

In the new film Música (on Prime) we go into the musical mind of Rudy Mancuso. We learn how everyday sounds are re-contextualized into rhythms and music in his brain while he goes about his day. Because the POV of the film changes from what is real to what Rudy is hearing internally, the sound design and mix are extremely important to sell what is happening to the viewer. Re-Recording Mixers Christopher Aud (also Sound Supervisor) and Aaron Glascock take us through how the action "was recorded on set as if it was an orchestra" using up to 100 microphones, placed perfectly to capture each sound clearly. Then Sound Editorial and Mix had to go through everything that makes up the complex rhythms being played on camera by doors, knives, basketballs, and whatever else is handy.

Show Notes: https://tonebenderspodcast.com/259-musica/

Podcast Homepage:  https://tonebenderspodcast.com

Tonebenders Host This Episode: Timothy Muirhead

259 - Música

Are you nervous about starting a new project? Don’t worry; so is everyone else, including your sound design hero, Randy Thom. Spotting sessions are a chance to talk through the edit, scene by scene. These gatherings give the director, the composer and the rest of the editorial team a chance to sort out out technical issues and determine the direction and shape the soundtrack is going to take.  Randy joins us to talk about about what kind of attitude, questions and objectives he brings to the spotting sessions for new film projects. (This episode was originally released in March 2020)
Show Notes & Full Transcript: https://tonebenderspodcast.com/258---randy-thom-on-getting-the-most-out-of-spotting-sessions-re-podcast/
Podcast Homepage:  https://tonebenderspodcast.com

Tonebenders Hosts This Episode: Timothy Muirhead & Teresa Morrow

258 - Randy Thom On Getting The Most Out Of Spotting Sessions (Re - Podcast)

Laurence Anslow, who recently recorded and mixed the score for the recent Percy Jackson series and also worked on Ghostbusters: Frozen Empire, joins us this week.  He is at the top of the game, and yet his workflows as a score recordist and mixer, are a complete mystery to many in audio post.  So I asked him to come on the show and talk us through what a orchestral score recording session is like, how he delivers his tracks and who he is interacting with the most from the rest of the sound team. I learned a lot while talking with Laurence and I hope you are able to gain a bunch of knowledge as well.
Show Notes: https://tonebenderspodcast.com/257---the-art-of-recording--mixing-score-with-laurence-anslow/

Podcast Homepage:  https://tonebenderspodcast.com

Tonebenders Host This Episode: Timothy Muirhead

192 - The Sound Of Halo

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