
Sign up to save your podcasts
Or
Follow Jacob, Miles, and Victor through a story about musical exploitation, globalization, and hope, starting with the creation of Jazz and concluding with the future of Afrobeats.
Names: Jacob Matlof, Miles C. Selles, and Victor Chen
Interviewees:
Bolaji Oyedepo is an Nigerian American musician from Houston, Texas, paving his own way in the modern music industry with the fusion of Afrobeats with hip hop and R&B. He’s known for his primarily afrobeats song “OWO!”.
Viranshi Vira is a student at Case Western University. Raised in Los Angeles, Vira found her love for K-pop during the pandemic and has been fascinated by the industry ever since. However, she’s also aware of the forces that shape the K-pop industry.
Dr. Pheaross Graham is a Mellon Fellow at the Stanford Humanities Center and Lecturer in the Department of Music at Stanford University. He is a musicologist and concert pianist with expertise in nineteenth- and twentieth-century Western art and African American music.
Research: No research was explicitly cited in the episode. However, the following resources were consulted during the development of the podcast:
Music Acknowledgements:
5
1010 ratings
Follow Jacob, Miles, and Victor through a story about musical exploitation, globalization, and hope, starting with the creation of Jazz and concluding with the future of Afrobeats.
Names: Jacob Matlof, Miles C. Selles, and Victor Chen
Interviewees:
Bolaji Oyedepo is an Nigerian American musician from Houston, Texas, paving his own way in the modern music industry with the fusion of Afrobeats with hip hop and R&B. He’s known for his primarily afrobeats song “OWO!”.
Viranshi Vira is a student at Case Western University. Raised in Los Angeles, Vira found her love for K-pop during the pandemic and has been fascinated by the industry ever since. However, she’s also aware of the forces that shape the K-pop industry.
Dr. Pheaross Graham is a Mellon Fellow at the Stanford Humanities Center and Lecturer in the Department of Music at Stanford University. He is a musicologist and concert pianist with expertise in nineteenth- and twentieth-century Western art and African American music.
Research: No research was explicitly cited in the episode. However, the following resources were consulted during the development of the podcast:
Music Acknowledgements: