Welcome to the second part of our deep-dive into Heinrich Cornelius Agrippa's hugely influential giant book, Three Books of Occult Philosophy. In this episode, we will be searching for the answer to a pressing question: how did Agrippa manage to write such an enormous book before he even turned 25?
Thanks to Eric Purdue's long work on his translation of this book, we have a pretty good answer: plagiarism! Agrippa used material from over 200 sources to compile and assemble Occult Philosophy. In many cases, he simply lifted complete passages from some of these sources. However, in spite of the rampant plagiarism in the text, Agrippa was able to assemble quotes and passages from these sources—some of them quite mundane—to put forth an argument for his own definition of an occult philosophy that proved to be both remarkable and influential.
We will look at three of Agrippa's sources:
Johannes TrithemiusPliny the ElderJohann Reuchlin
This series of episodes about Occult Philosophy will most likely last until Summer. My Patreon supporters will be receiving each episode a week before the rest of the world, along with bonus materials such as full interviews, a glimpse at works in progress, and the opportunity to suggest further topics for this Agrippa deep dive.
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Links
My review of the modern translations of Occult PhilosophyJ.F.'s translation, online for free!A Short History of Academic PlagiarismThe Magus with R.A. PriddleThe Aggripean CircleThe Natural History of Pliny on Project GutenbergThe A.D. 79 Eruption at Mt. VesuviusPliny the Elder from Russian RiverOn the Art of the Kabbalah by Johann Reuchlin, trans. Martin and Sarah GoodmanAlbert Pike's Morals and Dogma: Annotated Edition edited and annotated by Arturo de Hoyos
Credits
Pliny the Elder was played by Andrew B. Watt. The lyre music was performed by me, Reverend Erik! Pretty good stuff, huh? I used an Aklot 7-stringed lyre that I attempted to tune to something representing a Pythagorean scheme.
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