The provided text explores the performative nature of social and political conflict, suggesting that modern outrage often serves as a hollow spectacle. It describes a cycle where individuals seek validation and visibility through opposition, inadvertently strengthening the very systems they claim to dismantle. By treating every protest or critique as a choreographed performance, people become trapped in a self-sustaining loop of reaction that prioritizes attention over actual change. The author argues that this hunger for a role within a narrative causes intellectual stagnation and deepens societal fractures. True liberation, according to the poem, is found not through winning the argument, but by withdrawing participation from the spectacle entirely. Ultimately, the work suggests that power loses its influence only when people refuse to provide the audience it requires to survive.