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A point of contact, a common ground is episode 24 of The Tale and the Tongue podcast series, following a conversation between music journalist, booking agent, event promoter, and translator Yuko Asanuma, and Sonia Fernández Pan, the host of this podcast series. “In the last few years, I have seen Yuko in different places in Berlin, often in music-related environments but not only. Yuko Asanuma says, the places where we are willing to go to, we recognize each other as part of a different type of community. Although there may be music, it is something else that brings us together.
I attended the first Setten series of events, part of the agency Yuko Asanuma runs. ‘Setten’ is a Japanese word meaning both ‘point of contact’ and ‘common ground.’ It is also an invitation for people to meet and amplify each other. There is something slippery about partying, about being together in one place at one time. Even when all the elements seem to be perfect, we may not feel fully present. Other times, unexpectedly, we feel totally connected in places where we don't seem to belong. As Yuko states, you can't really anticipate the energy that an event will create.
While most of the institutional and mainstream cultural contexts are co-opted to remain silent, it is in other venues that the most relevant things and conversations are happening. And here I understand relevance as a question of common struggles and ethics in times of censorship and escalating state violence.”
Sonia Fernández Pan
4.5
22 ratings
A point of contact, a common ground is episode 24 of The Tale and the Tongue podcast series, following a conversation between music journalist, booking agent, event promoter, and translator Yuko Asanuma, and Sonia Fernández Pan, the host of this podcast series. “In the last few years, I have seen Yuko in different places in Berlin, often in music-related environments but not only. Yuko Asanuma says, the places where we are willing to go to, we recognize each other as part of a different type of community. Although there may be music, it is something else that brings us together.
I attended the first Setten series of events, part of the agency Yuko Asanuma runs. ‘Setten’ is a Japanese word meaning both ‘point of contact’ and ‘common ground.’ It is also an invitation for people to meet and amplify each other. There is something slippery about partying, about being together in one place at one time. Even when all the elements seem to be perfect, we may not feel fully present. Other times, unexpectedly, we feel totally connected in places where we don't seem to belong. As Yuko states, you can't really anticipate the energy that an event will create.
While most of the institutional and mainstream cultural contexts are co-opted to remain silent, it is in other venues that the most relevant things and conversations are happening. And here I understand relevance as a question of common struggles and ethics in times of censorship and escalating state violence.”
Sonia Fernández Pan
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