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Magic, monsters, sprites, witches, shipwrecks, betrayal, love stories on an enchanted isle, and emotional catharsis driven by a puppet master pulling all the stings: no, dear listeners, it’s not a Dungeons & Dragons campaign but Shakespeare’s The Tempest! Will and James discuss the play know as Shakespeare’s affectionate late-career farewell to the theatre, portrayals of Caliban throughout the years, its possible setting in the New World, and whether a play with an almost all-powerful protagonist can be truly dramatic.
Credits
Intro Music: Jon Sayles, "The Witches' Dance" (composed by anonymous)
Outro Music: Jon Sayles, “Saltarello” (composed by anonymous)
Illustrative Excerpts: “The Tempest,” dir. Julie Taymor (2010); John Gielgud, “Ages of Man,” Caedmon Records (1959)
By James A. Smith, William C. Quinn4.9
3131 ratings
Magic, monsters, sprites, witches, shipwrecks, betrayal, love stories on an enchanted isle, and emotional catharsis driven by a puppet master pulling all the stings: no, dear listeners, it’s not a Dungeons & Dragons campaign but Shakespeare’s The Tempest! Will and James discuss the play know as Shakespeare’s affectionate late-career farewell to the theatre, portrayals of Caliban throughout the years, its possible setting in the New World, and whether a play with an almost all-powerful protagonist can be truly dramatic.
Credits
Intro Music: Jon Sayles, "The Witches' Dance" (composed by anonymous)
Outro Music: Jon Sayles, “Saltarello” (composed by anonymous)
Illustrative Excerpts: “The Tempest,” dir. Julie Taymor (2010); John Gielgud, “Ages of Man,” Caedmon Records (1959)

3,185 Listeners