On the two hundred and eighty-first episode of THE THIRD ACT PODCAST, the crew are going feral.

Christian and Jericho discuss two films about complicated mothers with reviews of Lynne Ramsey's DIE MY LOVE and Mary Bronstein's IF I HAD LEGS I'D KICK YOU. But first, they launch into YEAST (2008), ANEMONE, PREDATOR: BADLANDS, and Guillermo Del Toro's FRANKENSTEIN in a sprawling Recently Watched segment.

They also chat digital sheen, postpartum depression, and whether or not listening to someone else's dream is actually worthwhile.


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On the two hundred and eightieth episode of THE THIRD ACT PODCAST, the crew are on the verge of extinction.

Christian and Jericho leap into the twisted mind of Yorgos Lanthimos with a review of conspiracy drama BUGONIA and then sweat ballistic missles in the Situation Room to tackle Kathryn Bigelow's nuclear political thriller, A HOUSE OF DYNAMITE for an episode titled "Bigelow V Bugonia." But first, THE SMASHING MACHINE and CLOUD get the Recently Watched treatment.

They also discuss backloaded 2025 releases, the ANACONDA remake, conspiracy theory brain rot, on the nose needle drops, auteur theory, American exceptionalism, and POTUS jump shots.


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On the two hundred and seventy-ninth episode of THE THIRD ACT PODCAST, the crew are trying to listen more and talk less.

Christian and Jericho wade into the discourse with reviews of Luca Guadagnino's polarizing cancel culture satire(?) AFTER THE HUNT, writer-director-star Eva Victor's comic drama debut, SORRY, BABY, and Sarah Polley's 2023 parable of shame and abuse, WOMEN TALKING.

They also discuss preening misogynists, Gen X diatribes, religious trauma, and combining humor with tragedy.

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On the two hundred and seventy-eighth episode of THE THIRD ACT PODCAST, the crew are experiencing strange tingling sensations.

Christian, Jericho, and returning guest Mayra Russo get together for a spooky season-themed episode titled "Horror Hive 2025" where they dissect three horror-adjacent films, William Castle's 1959 camp classic THE TINGLER, German artist/filmmaker Muscha's lo-fi punk curio DECODER (1984), and Alejandro Amenábar's 1996 cerebral thriller, THESIS. But first, THE SPIDER LABYRINTH (1988), MAGIC (1978), THE ETERNAL (1998), PLAY DIRTY, Larry Cohen's Q (1982), KPOP DEMON HUNTERS, HIM, THEY SHOOT HORSES, DON'T THEY? (1969), and ROOFMAN get the jumbo Recently Watched treatment. 

They also discuss 1950's domesticity/sexual repression, screaming to relieve tension, surveillance states, punk analog mixtapes, AI slop, audiovisual violence, and inviting your stalker to coffee.

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On the two hundred and seventy-seventh episode of THE THIRD ACT PODCAST, the crew are joining the resistance.

Christian, Jericho, and Armando reconvene for a very special episode titled "PTA Meeting II: One Bake Sale After Another" where they review Paul Thomas Anderson's sprawling comic action epic, ONE BATTLE AFTER ANOTHER (which they saw together in Oakland, Ca!). But first, THE NAKED GUN (2025), DANGEROUS ANIMALS, THE TRIGGER EFFECT (1996), EBONY & IVORY, EDDINGTON, JOBE'Z WORLD (2018), THE PHOENICIAN SCHEME, A REAL PAIN (2024), KPOP DEMON HUNTERS, and BEFORE SUNSET (2004) get the jumbo-sized Recently Watched treatment.

They also discuss performative crowd reactions, bong rips, neoliberal wet dreams, generational baton passing, and PTA power rankings.

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On the two hundred and seventy-sixth episode of THE THIRD ACT PODCAST, the crew are obsessed with high heels and phallic razors.

Christian and Jericho continue their Auteurography series on the films of Brian De Palma with reviews of the lo-fi farce HOME MOVIES and sleazy grindhouse thriller DRESSED TO KILL (both from 1980). But first, Darren Aronofsky's CAUGHT STEALING and repertory screenings of JAWS (1975) and CITIZEN KANE (1941) get the Recently Watched treatment.

They also discuss autobiographical context, duality, puritanism, misogyny, and trans representation.


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On the two hundred and seventy-fifth episode of THE THIRD ACT PODCAST, the crew have a competition in them and want no one else to succeed.

Christian, Jericho, and Armando look forward to the upcoming Paul Thomas Anderson film ONE BATTLE AFTER ANOTHER by glancing back with reviews of BOOGIE NIGHTS (1997), THERE WILL BE BLOOD (2007), and INHERENT VICE (2014) for a theme titled "PTA Meeting."

They also discuss found family, father-son relationships, fruitful artistic collaborations, and Joaquin Phoenix pratfalls.

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On the two hundred and seventy-fourth episode of THE THIRD ACT PODCAST, the crew are wondering who will be the highest or lowest on the Spike-0-Meter.

Christian, Jericho, and Armando get in front of the mics to rap about the latest Spike Lee joint HIGHEST 2 LOWEST, a "reimagining" of Akira Kurosawa's 1963 neo-noir classic HIGH AND LOW. But first, they discuss MISSION IMPOSSIBLE: THE FINAL RECKONING, WEAPONS, NE ZHA 2, and THE LIFE OF CHUCK in the Recently Watched segment.

They also chat the Apple TV overspend, art vs. commerce, NBA 2K storymode, shameful theatrical rollouts, legacy, Boston hate, and old man yelling at the cloud rants.

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On the two hundred and seventy-third episode of THE THIRD ACT PODCAST, the crew are embracing their horror era.

Christian and Jericho jump in front of the mics for an episode theme titled "Weapons of Mass Witchcraft", where they review the newly released horror sensation WEAPONS and the 1982 cult curio HALLOWEEN III: SEASON OF THE WITCH. First, however, they tackle the 2025 James Gunn SUPERMAN, 2006's SUPERMAN RETURNS, and FANTASTIC FOUR FOUR: FIRST STEPS in the Recently Watched segment.

They also discuss a case for maximalism via email, mystery marketing, hagsploitation, children in peril, horn doggin' M.D.s, and having a Paul Walter Hauser summer.

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On the two hundred and seventy-second episode of THE THIRD ACT PODCAST, the crew are Coen' the distance.

Christian, Jericho, and returning guest Mayra Russo do a deep dive into the CBCU (Coen Bros Cinematic Universe) with reviews of their neo-noir debut, BLOOD SIMPLE (1984), zany screwball farce/financial flop THE HUDSUCKER PROXY (1994), and downbeat noir character study, THE MAN WHO WASN'T THERE (2001).

They also chat BRING HER BACK, FINAL DESTINATION: BLOODLINES, and THE NAKED GUN reboot in the Recently Watched segment before diving into Paul Walter Hauser reappraisal, smelly fish, noir horror, communication breakdowns, pessimism, and how the Coens contain multitudes.


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