We watched the latest money laundering scheme from Sony Pictures, MORBIUS. It's shamefully bad. We gave it a .73/10 That's not even a full point. Save yourself the time, money, and dignity and miss this one. There's plenty of other movies about a sad Dracula moping around, just check one of those out. Seriously, just google "movie about a sad Dracula" and watch the first thing that comes up. It'll probably be Dracula Untold. That's a better movie than this. Yikes.

We watched the latest money laundering scheme from Sony Pictures, MORBIUS. It's shamefully bad. We gave it a .73/10 That's not even a full point. Save yourself the time, money, and dignity and miss this one. There's plenty of other movies about a sad Dracula moping around, just check one of those out. Seriously, just google "movie about a sad Dracula" and watch the first thing that comes up. It'll probably be Dracula Untold. That's a better movie than this. Yikes.

The Unwatchables: Morbius

Join hosts Caligula Q. Strawman, K-Slick, Incitatus, Miss Ellanea & others as we review games, watch movies, and talk of everything and nothing. Find all our different shows under The Dada Network header:

• +10 XP: The only video game review cast with a sensible rating system. Join Caligula, K-Slick, Incitatus & others for hilarious and insightful reviews of the next game you're gonna want to play.
• A Conversation with Everyone: Caligula attempts the Sisyphean task of interviewing every person in existence, join him & our guest of the week for their fascinating and often arcane discussions.
• TRASHCAST: Irregular and disjointed tales of intrigue, adventure, and woe! Join our Dada hosts for some touching heart-to-hearts and knock-em-down-drag-em-outs!

—

Archival Shows (we don't produce these anymore):
• It's Not Horror: Dada judges whether a movie is truly worthy if the mantle, "horror." These were really fun, hopefully we can do some specials in the future.
• Steaming Garbage: Our old video game review cast.
• The Unwatchables: The only movie review cast with a sensible rating system.

—

Introductory 3¶ of "Dada Manifesto 1918," Tristan Tzara

The magic of a word—Dada—which has brought journalists to the gates of a world unforeseen,
is of no importance to us.

To put out a manifesto you must want: ABC
to fulminate against 1, 2, 3
to fly into a rage and sharpen your wings to conquer and disseminate little abcs and big abcs, to sign, shout, swear, to organize prose into a form of absolute and irrefutable evidence, to prove your non plus ultra and maintain that novelty resembles life just as the latest-appearance of some whore proves the essence of God. His existence was previously proved by the accordion, the landscape, the wheedling word. To impose your ABC is a natural thing— hence deplorable. Everybody does it in the form of crystalbluffmadonna, monetary system, pharmaceutical product, or a bare leg advertising the ardent sterile spring. The love of novelty is the cross of sympathy, demonstrates a naive je m'enfoutisme, it is a transitory, positive sign without a cause.
But this need itself is obsolete. In documenting art on the basis of the supreme simplicity: novelty, we are human and true for the sake of amusement, impulsive, vibrant to crucify boredom. At the crossroads of the lights, alert, attentively awaiting the years, in the forest. I write a manifesto and I want nothing, yet 1 say certain things, and in principle I am against manifestoes, as I am also against principles (half-pints to measure the moral value of every phrase too too convenient; approximation was invented by the impressionists). I write this manifesto to show that people can perform contrary actions together while taking one fresh gulp of air; I am against action; for continuous contradiction, for affirmation too, I am neither for nor against and I do not explain because I hate common sense. […]

Comedy

Leisure

Video Games

Join hosts Caligula Q. Strawman, K-Slick, Incitatus, Miss Ellanea & others as we review games, watch movies, and talk of everything and nothing. Find all our different shows under The Dada Network header: • +10 XP: The only video game review cast with a sensible rating system. Join Caligula, K-Slick, Incitatus & others for hilarious and insightful reviews of the next game you're gonna want to play. • A Conversation with Everyone: Caligula attempts the Sisyphean task of interviewing every person in existence, join him & our guest of the week for their fascinating and often arcane discussions. • TRASHCAST: Irregular and disjointed tales of intrigue, adventure, and woe! Join our Dada hosts for some touching heart-to-hearts and knock-em-down-drag-em-outs! — Archival Shows (we don't produce these anymore): • It's Not Horror: Dada judges whether a movie is truly worthy if the mantle, "horror." These were really fun, hopefully we can do some specials in the future. • Steaming Garbage: Our old video game review cast. • The Unwatchables: The only movie review cast with a sensible rating system. — Introductory 3¶ of "Dada Manifesto 1918," Tristan Tzara The magic of a word—Dada—which has brought journalists to the gates of a world unforeseen, is of no importance to us. To put out a manifesto you must want: ABC to fulminate against 1, 2, 3 to fly into a rage and sharpen your wings to conquer and disseminate little abcs and big abcs, to sign, shout, swear, to organize prose into a form of absolute and irrefutable evidence, to prove your non plus ultra and maintain that novelty resembles life just as the latest-appearance of some whore proves the essence of God. His existence was previously proved by the accordion, the landscape, the wheedling word. To impose your ABC is a natural thing— hence deplorable. Everybody does it in the form of crystalbluffmadonna, monetary system, pharmaceutical product, or a bare leg advertising the ardent sterile spring. The love of novelty is the cross of sympathy, demonstrates a naive je m'enfoutisme, it is a transitory, positive sign without a cause. But this need itself is obsolete. In documenting art on the basis of the supreme simplicity: novelty, we are human and true for the sake of amusement, impulsive, vibrant to crucify boredom. At the crossroads of the lights, alert, attentively awaiting the years, in the forest. I write a manifesto and I want nothing, yet 1 say certain things, and in principle I am against manifestoes, as I am also against principles (half-pints to measure the moral value of every phrase too too convenient; approximation was invented by the impressionists). I write this manifesto to show that people can perform contrary actions together while taking one fresh gulp of air; I am against action; for continuous contradiction, for affirmation too, I am neither for nor against and I do not explain because I hate common sense. […]

Join hosts Caligula Q. Strawman, K-Slick, Incitatus, Miss Ellanea &amp; others as we review games, watch movies, and talk of everything and nothing. Find all our different shows under The Dada Network header:

• +10 XP: The only video game review cast with a sensible rating system. Join Caligula, K-Slick, Incitatus &amp; others for hilarious and insightful reviews of the next game you're gonna want to play.
• A Conversation with Everyone: Caligula attempts the Sisyphean task of interviewing every person in existence, join him &amp; our guest of the week for their fascinating and often arcane discussions.
• TRASHCAST: Irregular and disjointed tales of intrigue, adventure, and woe! Join our Dada hosts for some touching heart-to-hearts and knock-em-down-drag-em-outs!

—

Archival Shows (we don't produce these anymore):
• It's Not Horror: Dada judges whether a movie is truly worthy if the mantle, "horror." These were really fun, hopefully we can do some specials in the future.
• Steaming Garbage: Our old video game review cast.
• The Unwatchables: The only movie review cast with a sensible rating system.

—

Introductory 3¶ of "Dada Manifesto 1918," Tristan Tzara

The magic of a word—Dada—which has brought journalists to the gates of a world unforeseen,
is of no importance to us.

To put out a manifesto you must want: ABC
to fulminate against 1, 2, 3
to fly into a rage and sharpen your wings to conquer and disseminate little abcs and big abcs, to sign, shout, swear, to organize prose into a form of absolute and irrefutable evidence, to prove your non plus ultra and maintain that novelty resembles life just as the latest-appearance of some whore proves the essence of God. His existence was previously proved by the accordion, the landscape, the wheedling word. To impose your ABC is a natural thing— hence deplorable. Everybody does it in the form of crystalbluffmadonna, monetary system, pharmaceutical product, or a bare leg advertising the ardent sterile spring. The love of novelty is the cross of sympathy, demonstrates a naive je m'enfoutisme, it is a transitory, positive sign without a cause.
But this need itself is obsolete. In documenting art on the basis of the supreme simplicity: novelty, we are human and true for the sake of amusement, impulsive, vibrant to crucify boredom. At the crossroads of the lights, alert, attentively awaiting the years, in the forest. I write a manifesto and I want nothing, yet 1 say certain things, and in principle I am against manifestoes, as I am also against principles (half-pints to measure the moral value of every phrase too too convenient; approximation was invented by the impressionists). I write this manifesto to show that people can perform contrary actions together while taking one fresh gulp of air; I am against action; for continuous contradiction, for affirmation too, I am neither for nor against and I do not explain because I hate common sense. […]

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The Unwatchables: Morbius

The Unwatchables: Morbius