VICE is back with a new podcast exploring the subcultures and fringes that we are best known for. If you thought we were gone, looks like we have more to say. Each week we are sitting down with the internets most fascinating characters and getting to the bottom of cultural trends. Oscar award winners, internet oddities, and viral sensations. There has never been more culture to consume, so let us figure out what's worth checking out. Subscribe to VICE Culture Club.

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VICE is back with a new podcast exploring the subcultures and fringes that we are best known for. If you thought we were gone, looks like we have more to say. Each week we are sitting down with the internets most fascinating characters and getting to the bottom of cultural trends. Oscar award winners, internet oddities, and viral sensations. There has never been more culture to consume, so let us figure out what's worth checking out. Subscribe to VICE Culture Club.

Hosted on Acast. See acast.com/privacy for more information.

The 16-bit era, honestly. So many good times. Good times that we’re both reviving and ruining on this episode of the Waypoint UK Podcast by putting Sega’s Mega Drive—Genesis, if we must—against the Super Nintendo in a points-based battle to the death. Only nothing actually dies. Save, perhaps, for the respect any listeners had for the people assembled to do this.

 

Why we’re doing this: because the SNES Mini is a thing, and it’s out in September at the same time as the Sega Genesis Flashback, another diminutive system pre-loaded with a bunch of games (the differences being the Flashback has a slot to play original cartridges, and the SNES line-up out of the box is so, so much better). It’s war, again! Sort of. Look, it’s enough for us to talk about punching bins to get roast chickens.

 

On the podcast alongside senior ed Mike (hi) are Ian Dransfield and Steve Burns, two former games journalists with plenty of opinions on Sega and Nintendo’s machines of the early 1990s (and before, and beyond). Warning: there will be mention of Altered Beast. Just the worst. There is also some bad language other than Altered Beast. Sorry.

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No messing about, straight to business. This episode of the Waypoint UK Podcast finds Mike (me, hi) chatting about some of the best games of 2017 so far in the company of two marvellous guests—VideoGamer.com’s content editor Colm Ahern and Fandom gaming editor Sam Loveridge. They’ve played a bunch of games. I’ve played a bunch of games. Let’s talk a bunch of games.

 

And we do.

 

Up for discussion: a range of titles both massive, bona-fide blockbuster of proportion, and a handful of strange and small affairs that might qualify as hidden gems. Among them: Detention, Horizon Zero Dawn, What Remains of Edith Finch, Night In the Woods, ARMS, Breath of the Wild, Monument Valley 2, Injustice 2, Prey and more. From point and click to point and shoot, we cover several bases (in conversational butteriness). Like and subscribe, yo! Am I doing this right?

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Growing up. We all do it. And the games industry is doing it, too. Kids who lived and breathed games in the 1980s and ‘90s are now 30- and 40-somethings, perhaps with kids of their own. The time they once had to enjoy video games has been compromised, irreversibly altered. So: how do you, how do we, deal with that? And just what is the best way to nurture a future Mario Kart champion? Answers, people. We have some of them here.

 

Waypoint’s senior editor Mike, himself a father of two, is joined for this episode by Ellie Gibson (Dara O Briain’s Go 8 Bit, The Guardian, Eurogamer, Scummy Mummies) and Gareth Dutton (Making Games Is Fun, Chat Very Good), both of whom also have two children. They’ve also both contributed to Waypoint/VICE in the past, too, with words, photographs and presenting skills, so it’s a treat to have them on the podcast.

 

Discussed: what games are good to share with kids, and which should we shield them from; how our time with games changed once these small people came into our lives; how the industry has evolved to better appreciate the parent gamer; the increasing attraction of so-called casual games; and a whole lot more.

 

It’s an hour, thereabouts, of terrific chat, with just an occasional swear so, probably, don’t actually play this within earshot of an impressionable minor.

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It’s almost time for E3—so that’s what we’re talking about on this episode of the fortnightly Waypoint UK Podcast.

 

On the show: regular host Mike Diver, alongside E3 veteran Steve Burns (back for a second show running, after our Max Payne 3 special) and bright-eyed newbie Tom Regan, who’ll be flying out to LA for the first time in 2017 to cover the terrific cacophony of New Video Game Stuff.

 

We talk about expectations for the Scorpio, where Nintendo goes with the Switch, Sony’s potential VR push, whether certain big-hitters will show up at all, who the expo is really for in 2017, and the absolute state of the toilets.

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This episode of the Waypoint UK Podcast is (almost) entirely focused on Max Payne 3, as Rockstar’s 2012 instalment in the Remedy-created noir shooter series.

 

This podcast contains spoilers, obvs.

 

Waypoint’s Mike Diver is joined by Steve Burns and Ed Smith – two people with a lot to say on the state of Payne by his third run out, both positive and negative. We look at the character, the relationships he builds – and sees torn down – the settings of the game, how it actually plays, what it cost to make (and we don’t just mean in terms of money), and much more.

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Our guests on this fortnight’s Waypoint UK Podcast are games writers, critics, presenters, all-round games media renaissance types Kate Gray and Andi Hamilton. Both of whom do plenty of other things beyond send us the occasional article. But right now, we’ve got them locked in a room at VICE’s London HQ, microphones turned on and tea going tepid. There are biscuits, at least.

 

Prey, newly suited and rebooted by Dishonored developers Arkane, is almost out—and we’ve been playing it. Well, as much of it as we can. Pretty good, basically. But is it any more than simply BioShock in space? Which, bizarrely, is actually the UK marketing angle. Yes, and no. Listen, and learn.

 

We also get into our favorite Alien series games, what with Alien: Covenant being right around the multiplex corner. Imagine if your only experience of the Alien movies was Prometheus. Painful, huh—but a pain that Kate lives with day in, day out. (Kate, seriously, watch more...

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Right. Persona 5’s been out a while, and Nier: Automata and Breath of the Wild, too. So for this episode of the UK podcast, Kate Gray and Sayem Ahmed are, alongside the regular nasal noise of Mike discussing as many pros and cons about those games as is possible in about an hour and a quarter.

 

There are so many spoilers in this podcast, seriously guys, so many spoilers. So if you don’t want spoilers, for any of the above games, go and listen to something else. 

 

Sayem, alas, can’t join us “in the studio”, so do forgive the audio quality on his Skype call. But as the man who interviewed the directors of both Persona 5 and Nier: Automata for Waypoint, he’s absolutely the right dude to be talking about these awesome games, right now.

 

Kate, meanwhile, has plenty to say about Zelda. As do I (and yes, I have a bit of a cold), especially on its unexpected really dark side. And there’s more besides! We address some...

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On this episode of the fortnightly Waypoint UK Podcast, senior ed sort Mike Diver and regular co-conspirator Kate Gray are joined by Paul Kilduff-Taylor of Oxford’s Mode 7 Games, to discuss the studio’s forthcoming releases: Frozen Synapse 2 and Tokyo 42.

 

The former is the sequel to Mode 7’s breakout hit of 2011, a simultaneous tactics strategy game that’s honestly easier to play than it is to properly explain, which earned massively celebratory reviews from the likes of Edge and Eurogamer. Well done, that game. Frozen Synapse 2 promises to deliver “open-world tactics” when it comes out later in 2017, and looked pretty grand from the whole five minutes of it that I saw at this year’s Rezzed. 

 

Probably out before that is (the pictured above) Tokyo 42, made by the two-man team of SMAC Games and the first game to be published by Mode 7. Now this I did play a fair chunk of at Rezzed, and while my keyboard control skills are...

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