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"Time is not only money; it is the key to health and safety."
In this installment of The Work of Art, we dismantle the romanticized "starving artist" trope and look how much it actually costs to live in the US. We will explore why the choice between "selling out" and "suffering for art" is a false dichotomy.
We'll discuss:
- How Leo Tolstoy and Richard Wagner described a world of massive social investment in art that feels like fantasy today.
- Why even "fully funded" MFA programs often fail to meet the basic living wage, leaving artists to choose between debt or no time.
- Why the most innovative writers are often coming from countries with universal healthcare and social safety nets (Canada, Argentina, Germany), while Americans are buying time with student loans.
- Confronting the reality of the "privilege gap" in the creative industry—who is actually paying for those trips to Europe and those Brooklyn co-ops?
- Why working in tech or taking a corporate 9-to-5 doesn't make you a "traitor to art," but a person seeking the dignity of security in a system without a safety net.
By Sammie Downing"Time is not only money; it is the key to health and safety."
In this installment of The Work of Art, we dismantle the romanticized "starving artist" trope and look how much it actually costs to live in the US. We will explore why the choice between "selling out" and "suffering for art" is a false dichotomy.
We'll discuss:
- How Leo Tolstoy and Richard Wagner described a world of massive social investment in art that feels like fantasy today.
- Why even "fully funded" MFA programs often fail to meet the basic living wage, leaving artists to choose between debt or no time.
- Why the most innovative writers are often coming from countries with universal healthcare and social safety nets (Canada, Argentina, Germany), while Americans are buying time with student loans.
- Confronting the reality of the "privilege gap" in the creative industry—who is actually paying for those trips to Europe and those Brooklyn co-ops?
- Why working in tech or taking a corporate 9-to-5 doesn't make you a "traitor to art," but a person seeking the dignity of security in a system without a safety net.