<p>In time for "Resident Evil: Welcome to Racoon City", <a href='http://letterboxd.com/cmdarth'>Cool Movies Darth</a> revisits Russell Mulcahy's "Resident Evil: Extinction". This Australian-helmed feature allows him to pick the brain of <a href='https://letterboxd.com/thepoeticcritic/'>ThePoeticCritic</a> who offers some insight into Australian Exploitation cinema. The most highly regarded of these features being "Mad Max 2: The Road Warrior". She is fine with George Miller's efforts but has a fascination with exploitation.</p>

In time for "Resident Evil: Welcome to Racoon City", Cool Movies Darth revisits Russell Mulcahy's "Resident Evil: Extinction". This Australian-helmed feature allows him to pick the brain of ThePoeticCritic who offers some insight into Australian Exploitation cinema. The most highly regarded of these features being "Mad Max 2: The Road Warrior". She is fine with George Miller's efforts but has a fascination with exploitation.

<p>In time for "Resident Evil: Welcome to Racoon City",&nbsp;<a href="http://letterboxd.com/cmdarth" rel="noopener noreferrer">Cool Movies Darth</a> revisits Russell Mulcahy's "Resident Evil: Extinction". This Australian-helmed feature allows him to pick the brain of <a href="https://letterboxd.com/thepoeticcritic/" rel="noopener noreferrer">ThePoeticCritic</a> who offers some insight into Australian Exploitation cinema. The most highly regarded of these features being "Mad Max 2: The Road Warrior". She is fine with George Miller's efforts but has a fascination with exploitation.</p>

ThePoeticCritic Down Under

We do not always have the time for a two-hour movie. No one ever wants to sit down and watch a one-hour TV drama knowing that they might not be able to stick around for an entire second episode. With this said, 90-minutes (perhaps 75, maybe 99) is the ideal runtime. This concise time has given us some of the most rewatchable movies that may not win any Academy Awards, but are properly fun-sized for the audience. That is what NinetyForChill.com is all about, the fun-sized sweets be it experimental terror, outlandish horror, over-the-top action, or the most radical comedies and dramas. Your host Russ Stevens and his friends chat about the movies that require few cuts to put on basic cable when it comes to fitting into a two-hour time slot and embrace all the craziness that the censors will need to bleep or blur.

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ThePoeticCritic Down Under

ThePoeticCritic Down Under