Thomas Parisch's composing career has taken him in some unusual directions. Trained as a classical oboist in Stuttgart, Germany, Thomas began to question where that career would take him, and decided to concentrate on composing, eventually settling in Los Angeles writing for TV, films and games. His most recent project was co-composing the soundtrack for Iris Fall with Edwin Wendler. As he told me, it was a really interesting change of pace. The instrumentation for Iris Fall is as unusual as the