Recorded November 4, 2020.

A panel discussion as part of the ‘Sonic Spaces’ series.

A rise in the number of sound-focused cultural productions is one of the key trends to emerge in the performing arts in recent years, including the reworking of various literary works and figures in the direction of sound and music centred experiences. How do artists and practitioners adapt written works into coherent listening experiences? What principles of sound design guide the development of creative soundscapes for the performing arts? A panel of established creative practitioners discuss these and related issues: Evangelia Rigaki, Head of Music at Trinity, who will discuss her installation opera This Hostel Life (Irish National Opera, 2019) based on Melatu Uche Okorie’s book of the same name; Kevin Gleeson, a prominent sound designer for theatre and film, who will discuss recent collaborations with Dead Centre (Hamnet, Beckett’s Room, To Be A Machine); and Nicholas Johnson, Associate Professor of Drama at Trinity and co-founder of the Samuel Beckett Laboratory, who will discuss his recent dramaturgical work on Beckett’s Room, a sound-focused play and co-production of Dead Centre and Gate Theatre. The panel will be chaired by Ruth Barton, Head of School of the Creative Arts at Trinity.

‘Sonic Spaces’ is organised by Jennifer O’Meara, Department of Film, as part of the Creative Arts Practice Research theme. It is supported by the Trinity Long Room Hub Arts and Humanities Research Institute.

Learn more at: https://www.tcd.ie/trinitylongroomhub/