"My response to the field recording started with appreciating the every-day sounds in the recording, and recognising that sometimes it is in the every-day-ness of those sounds there is something special: when we can pay attention to all the detail is where I personally find moments of quiet revelation, dappled sunlight, the light on clouds or time to listen to birdsong. From there it was embroidered with a piano part, reverbed strings and MS20."

Port Colborne soundscape reimagined by de Velden.