In this episode of The Learning Kurve, I discuss why I’m not upset about Beyoncé’s Cowboy Carter being snubbed by the Country Music Awards, despite the album making history and breaking boundaries. I explore how the album transcends genres and why fans’ sense of entitlement doesn’t match Beyoncé’s own attitude, highlighting the balance between righteous indignation and entitlement. Plus, I pay tribute to the late Frankie Beverly and share my thoughts on Shaboozey, The War and Treaty and reveal a guilty pleasure.

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