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Tom Morello at Occupy Wall Street (CC photo: David Shankbone)

This week on CounterSpin: Taylor Swift, Bruce Springsteen, Beyoncé and…Oprah? They’re among the entertainers in Trump’s ALLCAPS sights for, it would seem, endorsing Kamala Harris in the election? And/or maybe saying something unflattering about him or his  actions—which, in his brain, and that of the minions who’ve chosen to share that brain, constitutes an illegal political contribution to his opponents, wherever they may lurk.

At a moment when politicians who swore actual oaths are throwing over even the pretense of democracy, or public service—or basic human decency—many of us are looking to artists to be truth-tellers and spirit lifters; to convey, maybe, not so much information as energy: the fearless, collective, forward-looking joy that can sustain a beleaguered people in a threatening time.

There’s a deep history of protest music and music as protest, and our guest is very intentionally a part of it. Tom Morello is a guitarist; part of Rage Against The Machine, Audioslave, Prophets of Rage and The Nightwatchman, among many other projects. His music has always been intertwined with his activism and advocacy for social, racial, economic justice; so we talk about the work of artists in Trumpian times with Tom Morello, this week on CounterSpin.

Transcript: ‘Dangerous Times Demand Dangerous Music’

Plus Janine Jackson takes a quick look at recent press coverage of the embassy shootings, a lawmaker’s arrest and commencement protests.