How French sculptor, Puget, nearly lost his head with his representation of Louis XIV.

Transcript -- Subversive classicism

The Louvre was designed to house a great art collection for the people of France. Was there a plan from the outset to build a canon of work where the relationships between artists, their origins, their schools and faiths could be traced across centuries? And how did architect I.M.Pei persuade President Mitterrand to allow a pyramid to be built at the Louvre? The album goes on to explore how architecture can reflect relationships between different traditions. Two great buildings, Palladio’s church of the Redentore in Venice and Sinan’s Sokullu Mehmet Pasha mosque in Istanbul illustrate shared approaches to the purpose for which the spaces were designed. This material is taken from The Open University course A216 Art and its histories.

Share Transcript -- Subversive classicism

Sign up to save your podcasts

Transcript -- Subversive classicism

Transcript -- Subversive classicism

More shows like Art and architecture - for iPod/iPhone

Bon départ: beginners' French - Audio

Art history: modern and contemporary - for iPod/iPhone

Auftakt: intermediate German - for iPod/iPhone

Rheumatoid arthritis - a long term condition - for iPod/iPhone

David Hume: 18th Century Philosopher - Audio

Writing Poetry - Audio

Reading Political Philosophy: From Machiavelli to Mill - Audio

Fossil Detectives - for iPod/iPhone

Andante: beginners' Italian - Audio

Bon départ: beginners’ French second edition - for iPod/iPhone