
Sign up to save your podcasts
Or
Eternal Sunshine of the Spotless Mind was first released in 2004 by French director Michel Gondry, having been written by Charlie Kaufman and Pierre Bismuth as well as Gondry (right, with Carrey).
The cast is uniformly good, led by Jim Carrey (in a significant departure from his previous zany roles) and Kate Winslet (7 years after Titanic) with a number of others who were well on their way to much greater recognition: Tom Wilkinson, Mark Ruffalo, Elijah Wood, and Kirsten Dunst.
The film is a quirky and charming story about love, relationships, and memory. What sets it apart from standard predictable romcoms is the Sci-Fi premise at its heart: a neurological technique that enables a “psychiatrist” to probe inside a person’s brain to identify and then delete undesired memories. But as often, the technique is a mere plot device and so fairly marginal to the film’s heart. It is visually stunning but psychologically profound and thought-provoking.
The film won Best Screenplay Oscar in 2005 as well as several other screenplay gongs, and Kate Winslet was nominated for an Oscar too.
Other links:
Ghosteen is a double-album from Nick Cave and the Bad Seeds, produced by Cave and long-standing bandmember Warren Ellis. It followed their 2016 studio album Skeleton Key, a work that was near completion when Cave’s son Arthur was killed in a fall while aged only 15. Despite that, that album as a whole felt strangely prescient of the coming tragedy with its themes of loss and grief.
But by the time Ghosteen came out, Cave and his wife Susie, had processed much, though by no means all, of their pain. This perhaps inevitably was kneaded into this album, which unusually these days works best when considered as a united whole. The Caves’ very private tragedy had been exposed all too publicly. But the remarkable aspect of this music is how powerful it has subsequently proved for countless others experiencing their own grief. While never as concrete or explicit (not least because it is a musical and poetic work rather than a book), it is not surprising that some have responded to it as they have to C. S. Lewis’s poignant final book, A Grief Observed.
Chinua Achebe (1930-2013) was a Nigerian novelist and academic who pioneered, and thus helped to create interest in, African fiction in particular, and post-colonial fiction more generally. Things Fall Apart, coming out in 1958, was the game-changer, the first of what would become The African Trilogy.
Growing up in British-ruled Nigeria as a proud member of the Igbo people group, Achebe was acutely conscious of how perceptions of Africa and Africans were shaped almost exclusively by white writers and reporters. And like that best morsel of writerly advice, if you don’t see the books you want to read on the shelves, then you’ll have to write them yourself.
Here is another title taken from verse. In this case, its title is taken from W. B. Yeats’ highly influential poem (one we had to learn by heart at school, although I was always rubbish at that): The Second Coming, a poem that feels as relevant these days as it ever did.
The book is full of wonderful character descriptions and gives a vivid sense of the complex social interactions of a whole host of different people. So to help navigate, we came up with a cast list of the key players:
For follow up:
Masterpieces we’re jealous of:
Eternal Sunshine of the Spotless Mind was first released in 2004 by French director Michel Gondry, having been written by Charlie Kaufman and Pierre Bismuth as well as Gondry (right, with Carrey).
The cast is uniformly good, led by Jim Carrey (in a significant departure from his previous zany roles) and Kate Winslet (7 years after Titanic) with a number of others who were well on their way to much greater recognition: Tom Wilkinson, Mark Ruffalo, Elijah Wood, and Kirsten Dunst.
The film is a quirky and charming story about love, relationships, and memory. What sets it apart from standard predictable romcoms is the Sci-Fi premise at its heart: a neurological technique that enables a “psychiatrist” to probe inside a person’s brain to identify and then delete undesired memories. But as often, the technique is a mere plot device and so fairly marginal to the film’s heart. It is visually stunning but psychologically profound and thought-provoking.
The film won Best Screenplay Oscar in 2005 as well as several other screenplay gongs, and Kate Winslet was nominated for an Oscar too.
Other links:
Ghosteen is a double-album from Nick Cave and the Bad Seeds, produced by Cave and long-standing bandmember Warren Ellis. It followed their 2016 studio album Skeleton Key, a work that was near completion when Cave’s son Arthur was killed in a fall while aged only 15. Despite that, that album as a whole felt strangely prescient of the coming tragedy with its themes of loss and grief.
But by the time Ghosteen came out, Cave and his wife Susie, had processed much, though by no means all, of their pain. This perhaps inevitably was kneaded into this album, which unusually these days works best when considered as a united whole. The Caves’ very private tragedy had been exposed all too publicly. But the remarkable aspect of this music is how powerful it has subsequently proved for countless others experiencing their own grief. While never as concrete or explicit (not least because it is a musical and poetic work rather than a book), it is not surprising that some have responded to it as they have to C. S. Lewis’s poignant final book, A Grief Observed.
Chinua Achebe (1930-2013) was a Nigerian novelist and academic who pioneered, and thus helped to create interest in, African fiction in particular, and post-colonial fiction more generally. Things Fall Apart, coming out in 1958, was the game-changer, the first of what would become The African Trilogy.
Growing up in British-ruled Nigeria as a proud member of the Igbo people group, Achebe was acutely conscious of how perceptions of Africa and Africans were shaped almost exclusively by white writers and reporters. And like that best morsel of writerly advice, if you don’t see the books you want to read on the shelves, then you’ll have to write them yourself.
Here is another title taken from verse. In this case, its title is taken from W. B. Yeats’ highly influential poem (one we had to learn by heart at school, although I was always rubbish at that): The Second Coming, a poem that feels as relevant these days as it ever did.
The book is full of wonderful character descriptions and gives a vivid sense of the complex social interactions of a whole host of different people. So to help navigate, we came up with a cast list of the key players:
For follow up:
Masterpieces we’re jealous of: