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This one’s for the good ears—the ones that catch the subtle swing of a Chopin nocturne, the hidden groove in a Bach fugue, and the raw soul of keys played after hours in empty practice rooms.
I’m [Your Name], a product of private school piano—rigorous training, metronomes, and recital nerves—but what they didn’t teach me was how to break the rules and still sound holy. So I’m dropping mixtapes: classical chops flipped into something looser, freer, for those who love the craft but crave the feeling.
By Kabelo LetholeThis one’s for the good ears—the ones that catch the subtle swing of a Chopin nocturne, the hidden groove in a Bach fugue, and the raw soul of keys played after hours in empty practice rooms.
I’m [Your Name], a product of private school piano—rigorous training, metronomes, and recital nerves—but what they didn’t teach me was how to break the rules and still sound holy. So I’m dropping mixtapes: classical chops flipped into something looser, freer, for those who love the craft but crave the feeling.