Hashem Eloheino, phonetically from the Hebrew "The Name Almighty", is the name of a larger suite of pieces that can most closely be described as "Jewish praise" to G-d. This piece is a grateful reflection on my mother Roshleika (Yiddish), Vered Bat Shlomo (Hebrew name - Rose daughter of Salomon) 1925-1999.

In the Jewish Sephardic musical tradition, which has almost no similarities with the klezmer of the Yiddish tradition, musical instruments are used from surrounding musical cultures from North Africa, the Middle East. Flutes, duduk and zorna in various designs. These are not "natural secondary instruments" for me as a trumpet player, who, despite my Jewish roots, was raised in the European classical music tradition.

/ Salomon Helperin

In the Jewish Sephardic musical tradition, which has almost no similarities with the klezmer of the Yiddish tradition, musical instruments are used from surrounding musical cultures from North Africa, the Middle East. Flutes, duduk and zorna in various designs. These are not "natural secondary instruments" for me as a trumpet player, who, despite my Jewish roots, was raised in the European classical music tradition.

/ Salomon Helperin

1990 in Gothenburg, Sweden looking for older music recordings on 78 rpm vinyl records. I found in a Jewish estate a great treasure of older recordings of Jewish music. Most recorded in New York in the 1920s. Here's a little taster. The Jewish players have begun to be a little influenced by the existing American entertainment music. To become a dominant part of this only 20-30 years later.

/ Salomon Helperin

1990 in Gothenburg, Sweden looking for older music recordings on 78 rpm vinyl records. I found in a Jewish estate a great treasure of older recordings of Jewish music. Most recorded in New York in the 1920s. Here's a little taster. The Jewish players have begun to be a little influenced by the existing American entertainment music. To become a dominant part of this only 20-30 years later.

/ Salomon Helperin

1990 in Gothenburg, Sweden looking for older music recordings on 78 rpm vinyl records. I found in a Jewish estate a great treasure of older recordings of Jewish music. Most recorded in New York in the 1920s. Here's a little taster. The Jewish players have begun to be a little influenced by the existing American entertainment music. To become a dominant part of this only 20-30 years later.

/ Salomon Helperin

1990 in Gothenburg, Sweden looking for older music recordings on 78 rpm vinyl records. I found in a Jewish estate a great treasure of older recordings of Jewish music. Most recorded in New York in the 1920s. Here's a little taster. The Jewish players have begun to be a little influenced by the existing American entertainment music. To become a dominant part of this only 20-30 years later.

/ Salomon Helperin

1990 in Gothenburg, Sweden looking for older music recordings on 78 rpm vinyl records. I found in a Jewish estate a great treasure of older recordings of Jewish music. Most recorded in New York in the 1920s. Here's a little taster. The Jewish players have begun to be a little influenced by the existing American entertainment music. To become a dominant part of this only 20-30 years later.

/ Salomon Helperin

1990 in Gothenburg, Sweden looking for older music recordings on 78 rpm vinyl records. I found in a Jewish estate a great treasure of older recordings of Jewish music. Most recorded in New York in the 1920s. Here's a little taster. The Jewish players have begun to be a little influenced by the existing American entertainment music. To become a dominant part of this only 20-30 years later.

/ Salomon Helperin

1990 in Gothenburg, Sweden looking for older music recordings on 78 rpm vinyl records. I found in a Jewish estate a great treasure of older recordings of Jewish music. Most recorded in New York in the 1920s. Here's a little taster. The Jewish players have begun to be a little influenced by the existing American entertainment music. To become a dominant part of this only 20-30 years later.

/ Salomon Helperin