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A new play on a tough topic is part of this season’s Underground season at Roundabout Theatre Company. The play is “Ugly Lies the Bone,” written by Lindsey Ferrentino. The topic is the struggle of U.S. military veterans to return to civilian life while healing from the wounds of their overseas experiences. The play has a perhaps surprising element: Jess, the veteran at the center of the play, is a woman.
New York Times critic Charles Isherwood offers a review of this latest production from Roundabout Underground, now in its ninth season of nurturing and presenting new artists to New York audiences.
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A new play on a tough topic is part of this season’s Underground season at Roundabout Theatre Company. The play is “Ugly Lies the Bone,” written by Lindsey Ferrentino. The topic is the struggle of U.S. military veterans to return to civilian life while healing from the wounds of their overseas experiences. The play has a perhaps surprising element: Jess, the veteran at the center of the play, is a woman.
New York Times critic Charles Isherwood offers a review of this latest production from Roundabout Underground, now in its ninth season of nurturing and presenting new artists to New York audiences.
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