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When Matt Donato wrote his midyear article about the best horror of 2024, the one title that caught everyone by surprise was John Rosman's New Life. But you should know better than to doubt the Donato. In this week's episode of Uncertified, we break down why New Life offers a compelling mix of big ideas in a small box, and how it underscores the very important difference between trauma and grief onscreen.
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When Matt Donato wrote his midyear article about the best horror of 2024, the one title that caught everyone by surprise was John Rosman's New Life. But you should know better than to doubt the Donato. In this week's episode of Uncertified, we break down why New Life offers a compelling mix of big ideas in a small box, and how it underscores the very important difference between trauma and grief onscreen.

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