The Invisible Man (1933), The Invisible Man Returns (1940), and The Invisible Man's Revenge (1944). In the pantheon of Universal Classic Monsters, some might say the Invisible Man is the least terrifying in the monster heritage, or maybe even bordering on if they even belong in the horror genre. In this episode, we're going to delve into three of the films in Universal's Invisible series, for the most part, stay within the horror genre, though, that argument will be addressed as well! We're leaving out The Invisible Woman and Invisible Agent, since they are pretty much either a comedy or a war time action film.  Join us as we try to "see" more into these films that maybe aren't as "transparent" to the casual viewer who might have missed something. Or maybe we're seeing too much and not finding them too entertaining. Want to know? You'll have to listen and find out! Movies mentioned in this episode: Abbott & Costello Meet Frankenstein (1948), Abbott & Costello Meet the Invisible Man (1951), Creature from the Black Lagoon (1954), Dracula (1931), Frankenstein (1931), The Ghost of Frankenstein (1942), Good Morning, Vietnam (1987), Hollow Man (2000), Invisible Agent (1942), The Invisible Man (1933), The Invisible Man (2020), The Invisible Man Return (1940), The Invisible Man’s Revenge (1944), The Invisible Woman (1940), The Mummy (1932), The Mummy’s Hand (1940), Murders in the Rue Morgue (1932), The Phantom Creeps (1939), The Phantom of the Opera (1943), Rio Bravo (1959), The Unseen (2016), The Wolf Man (1941)

Episode 55: Universal's The Invisible Man

Our goal is to give you reasons to explore horror you’ve never seen and give you new ways to see horror you’ve loved for years.

TV & Film

Film History

Splinter (2008), Thanatomorphose (2012), and Contracted (2013) When discussing films that deal with body horror, David Cronenberg and his work usually come up in the conversation. How can he not, when so many of his earlier films all dealt with some sort of body horror, mutations, and transformations? But there are plenty of films that go above and beyond (and even below) Cronenberg's impressive genre efforts... sometimes even making us wonder why we're watching them in the first place! Could it be that we just want to see how much grossness we can stomach? Or is there more to it? Body horror is one of the most horrific of horror's subgenres, tossing heaping handfuls of disgust into the usual bag of scares. And maybe it's the hangover from the recent global pandemic, maybe it's the fact that by a certain age all of us have watched someone close to us fight a serious illness, or maybe it's just built into us by Mother Nature, but there's something especially horrific about body horror from infection.  But what do we get from watching it? Disgust, discomfort, and maybe a deeper understanding of human experience and anxieties? We can for sure guarantee the first two- so let's dig in! Disclaimer: by the end of the episode, you will be forgiven if you catch yourself looking at your body in a full-length mirror thinking "well, at least no maggots fell out of there." Movies mentioned in this episode: Abigail (2024), Beyond the Darkness (1979), Body Melt (1993), Carcinoma (2014), Contracted (2013), Creepshow (1982), The Fly (1986), Godzilla x Kong: The New Empire (2024), The Grudge 3 (2009), House of Wax (2005), Immaculate (2024), The Machinist (2004), Slime City (1988), Splinter (2008), Street Trash (1987), Thanatomorphose (2012), The Thing (1982), Toxic Avenger (1984)  

Episode 71 - Infectious Body Horror

Creature from the Black Lagoon (1954), Revenge of the Creature (1955), The Creature Walks Among Us (1956). And now, we come to the end of our Universal Monster episodes, having made our way through all the Dracula, Frankenstein, Invisible Man, Mummy, and the Wolf Man films, we now take a dive into the Black Lagoon! Coming out a little less than a decade after the last Universal Monster film (no, I'm not counting A&C; Meet Frankenstein), it gave birth to a whole new generation of monster fans that might not have been around for the first cycle. And it did make quite the splash amongst fans, enough to permanently give its spot in the Universal Monster class. And there is a reason for that. Join us while we take a deep dive into these films, maybe pushing you into the deep end of some of them, discussing some things you maybe didn't know about them, and hopefully, if we're doing our jobs, make you revisit them and think about them a little differently, or at least a little more. That's the beauty of films, that no matter how many times you may have seen it, you never know what the next viewing experience will bring you. Films mentioned in this episode: Creature from the Black Lagoon (1954), The Creature Walks Among Us (1956), Curse of the Werewolf (1961), The Deadly Mantis (1957), Demon of Paradise (1987), Dracula (1931), Frankenstein (1931), Friday the 13th Part 3 (1982), The Giant Claw (1957), House of Dracula (1945), House of Frankenstein (1944), Humanoids from the Deep (1980), The Incredible Shrinking Man (1957), It Came from Outer Space (1953), Jaws 3-D (1983), King Kong (1933), Mad Monster Party? (1967), The Mole People (1956), The Mummy (1932), Octaman (1971), Revenge of the Creature (1955), The Shape of Water (2017), She-Wolf of London (1946), Son of Frankenstein (1939), Tarantula (1955), The Thing from Another World (1951), This Island Earth (1955), The Wolf Man (1941)

Episode 70 - Universal's Creature from the Black Lagoon Films

Obviously, many of us film fans see movies in theaters througout the year, whether it be at a national chain or at an independent, arthouse theater - or both. Some of us are even hitting film festivals, special screenings, and for the truly unhinged cinephiles, film marathons. For these kind of events to happen though, there have to be some mad geniuses behind the scenes. Those people are film programmers, and they do so much for our the culture of our fandom; from tracking down film the best quality prints available, to figuring out who owns the rights, to actually making the screenings happen. A lot of times their success comes down to the sheer passion they have for these offbeat, awkward, or just downright strange and fucked up motion pictures that makes them want to pass that along to new viewers. In other words, helping new fans Discover the Horror! One of those mad geniuses is Will Morris, who is one of the programmers for the world-famous Music Box Theatre in Chicago. Will has been programming The Music Box of Horrors a 24-hour horror marathon for close to a decade now, as well as programming their yearly January Giallo festival, and much, much more. We invited Will to come on the show to not only explain a little of what he does, but why. Get ready for a fun and wild ride. Movies mentioned in the episode: 964 Pinocchio (1991), Abby (1974), Alleluia (2014), Aswang (1994), The Beyond (1981), Blood of Ghastly Horror (1967), Blue Eyes of the Broken Doll (1974), Café Flesh, Calvaire (2004), The Carrier (1988), The Children (2008), Child’s Play 2 (1990), Class of Nuke ‘Em High Part II: Subhumanoid Meltdown (1991), Corruption (1983), Curucu, Beast of the Amazon (1956), The Demons (1973), Dracula, Prisoner of Frankenstein (1972), Dr. Caligari (1989), Emaneulle and the Last Cannibal (1977), Ernest Scared Stupid (1991), Evil Dead (1981), Evil Dead 2 (1987), The Exorcist (1973), Fiend with the Electronic Brain (1967), Fuck the Devil (1990), Fuck the Devil 2: Return of the Fucker (1991), Ganja & Hess (1973), Ginger Snaps (2000), The Granny (1995), Halloween III: Season of the Witch (1982), The House on Haunted Hill (1959), Last House on Dead End Street (1973), Mystics in Bali (1981), Nekromantik (1988), Jaws (1975), Jurassic Park (1993), Meet the Feebles (1989), Mirror Mirror (1990), Organ (1996), A Patch of Blue (1965), Possession (1981), Psycho a Go Go (1965), Of Unknown Origin (1983), [REC] (2007), Repulsion (1965), Roman Holiday (1953), Santet (1988), Sex Demon (2019), Shaun of the Dead (2004), The Snorkel (1958), The Tenant (1976), Tetsuo: The Iron Man (1989), The Thing (1982), Torso (1973), Vaya luna de miel (1980), When a Stranger Calls Back (1993), Witch with the Flying Head (1982), A Woman’s Torment (1977) Show Notes:  THe Mondo fanzine mentioned: https://www.instagram.com/themondomaniac The Music Box Theatre - https://www.musicboxtheatre.com

Episode 69 - Horror at the Music Box with Programmer Will Morris

The Ghost of Sierra de Cobre (1964), Crowhaven Farm (1970), and Cruise into Terror (1978) With this being our 3rd episode covering these little television terrors, one would get the idea that there is a lot of teleplays, or TV-movies, out there that deserve our attention. And you would be correct! From the '60s into the early '80s, there was a plethora of amazing features being made for the little boob tube, not to mention a wide variety to talent behind them too! Unfortunately, a lot of these titles still wander in limbo, never getting a legitimate release, some never even seeing a VHS release. While you can find a lot on YouTube, we're all hoping for a real legitmate release at some point. Until then, we do what we must to see some incredible films! So grab your notepad because we're going to discuss 3 titles that are definitely worth your time, and hope to spark you to take a little further adventure into Made-for-TV Terrors!  Titles Mentioned in this Episode: American Beauty (1999), Are You in the House Alone (1978), Bad Ronald (1974), Blue Velvet (1986), Bog (1979), Butch Cassidy and the Sundance Kid (1969), A Cold Night’s Death (1973), Cool Hand Luke (1967), Crowhaven Farm (1970), Cruise into Terror (1978), Cult of the Cobra (1955), Day of the Animals (1977), Devil Dog: The Hound of Hell (1978), The Disembodied (1957), Fiend without a Face (1958), The Ghost of Sierra de Cobre (1965), Grave of the Vampire (1972), It! The Terror from Beyond Space (1958), Marnie (1964), Nightmare on Elm Street 2: Freddy’s Revenge (1985), North By Northwest (1959), The Night Stalker (1972), Psycho (1960), Rebecca (1940), Red Dawn (1984), Rosemary’s Baby (1968), Salem’s Lot (1979), Satan’s School for Girls (1973), Shanks (1974), Simon King of the Witches (1971), Slumber Party Massacre 2 (1987)

Episode 68 - Made for TV Horrors 3

During conversations with serious film collectors, you might hear terms like inter-positive, or first negative, or even OCN, and have no clue to what they actually mean. Don’t feel bad because a lot of us are in the same boat. These are some of the many terms used when discussing the preservation and archiving of films, not to mention the amount of work that goes into doing just that. Plus, we’re not talking about the latest title coming from the MCU, but ones that were made for pennies a half a century ago, or longer, that got very little distribution, sometimes not even here in the states. But due to the thankless job (that we’re hoping to change) of some dedicated cinephiles, they are doing their best to bring those titles back from nearly being a lost film. To help educate us on some of those terms, the processes, and just the sheer craziness of it all, we’ve asked Vault Manager and Archivist Oscar Becher from Vinegar Syndrome to do just that. While we’re not covering specific films for this episode, we're pretty sure you’re going to learn a thing or two, maybe be even amazed at hearing some of the processes that go into bringing you that nice and spiffy new Blu-Ray of one of your favorite films. Titles mentioned in this episode: Against the Grain (2023), Blood for Dracula (1974), Deep Inside Annie Sprinkle (1981), Dog Tags (1987), Enter the Clones of Bruce (2023), Flesh for Frankenstein (1973), Frankenstein (1931), Grindhouse (2007), Martyrs (2008), New York Ninja (2021), The Night of the Hunter (1955), No Tears for the Damned aka The Las Vegas Strangler (1968), Piranha (1978), The Playgirls and the Vampire (1960), Putney Swope (1969), The Rare Blue Apes of Cannibal Isle (1975), Singin’ in the Rain (1952), Star Wars (1977), Thriller: A Cruel Picture (1973), Voodoo Heartbeat aka The Sex Serum of Dr. Blake (1973)

Episode 55: Universal's The Invisible Man

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