I'm back with Sarah Jaffray to probe the aesthetics of fascism and the politics of cultural memory. We talk about how fascist movements rely on a triumphalist victim complex that cannot tolerate vulnerability or disability, and how this connects to the Nazi impulse to purify society through the language of degeneracy and the “enemy within.” Of course we also ping Hitler’s own frustrated artistic ambitions and the nineteenth-century “beautiful ruin” vibe, tracing how nostalgia for an imagined past becomes a visual template for authoritarian order.

I close out with a personal coda on writing, mentorship, attention, and rebuilding an inner voice after a personal collapse—through time and cursive.

About — Sarah Jaffray 

You can support the show on Patreon!

All theme music by the amazing www.kalliemarie.com.

Antifascist Dad: Urgent Conversations with Young People in Chaotic Times (North Atlantic Books, April 2026).
Preorder: https://www.penguinrandomhouse.com/books/807656/antifascist-dad-by-matthew-remski/

Instagram: @matthew_remski

TikTok: @antifascistdad

Bluesky: @matthewremski.bsky.social (Bluesky Social)

YouTube: https://www.youtube.com/@AntifascistDad 

Barron, Stephanie, ed. “Degenerate Art”: The Fate of the Avant-Garde in Nazi Germany. Los Angeles: Los Angeles County Museum of Art, 1991.
https://www.getty.edu/publications/virtuallibrary/0892362651.html

Bauhaus-Archiv Museum für Gestaltung. “Bauhaus History 1919–1933.”
https://www.bauhaus.de/en/das_bauhaus/21_history/

Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.” 1935.
https://www.marxists.org/reference/subject/philosophy/works/ge/benjamin.htm

Dixon, Paul. “Uncanny Valley.” Encyclopaedia Britannica.
https://www.britannica.com/science/uncanny-valley

Dix, Otto. “War (Der Krieg), 1929–1932.” Dresden State Art Collections.
https://skd-online-collection.skd.museum/Details/Index/334771

Evans, Richard J. The Coming of the Third Reich. New York: Penguin, 2003.
https://www.penguinrandomhouse.com/books/297974/the-coming-of-the-third-reich-by-richard-j-evans/

Gross, George. “Background and Biography.” Tate.
https://www.tate.org.uk/art/artists/george-grosz-1188

Harrison, Charles, Francis Frascina, and Gill Perry. Primitivism, Cubism, Abstraction: The Early Twentieth Century. New Haven: Yale University Press, 1993.
https://yalebooks.yale.edu/book/9780300055191/primitivism-cubism-abstraction/

Hitler, Adolf. Speech at the opening of the Entartete Kunst exhibition, Munich, July 19, 1937.
English excerpts reproduced at:
https://research.calvin.edu/german-propaganda-archive/entart.htm

Holbein, Hans (the Younger). “The Ambassadors.” National Gallery, London.
https://www.nationalgallery.org.uk/paintings/hans-holbein-the-younger-the-ambassadors

Kandinsky, Wassily. Concerning the Spiritual in Art. 1911.
https://www.guggenheim.org/artwork/3483

Lawrence, Jacob. “The Migration Series.” Museum of Modern Art.
https://www.moma.org/collection/works/37346

Nochlin, Linda. “Why Have There Been No Great Women Artists?” ARTnews, 1971.
https://www.artnews.com/art-news/retrospective/why-have-there-been-no-great-women-artists-2413/

Riley, Bridget. “Lecture and Interviews.” Tate Britain Archive.
https://www.tate.org.uk/art/artists/bridget-riley-1845

Rothko, Mark. “Rothko Room.” Tate Modern.
https://www.tate.org.uk/visit/tate-modern/rothko-room

Schulz-Hoffmann, Carla, and Judith C. Weiss, eds. Neue Sachlichkeit / New Objectivity. Munich: Prestel, 2015.
https://www.prestel.com/books/neue-sachlichkeit-new-objectivity/

Tate. “Dada.”
https://www.tate.org.uk/art/art-terms/d/dada

Tate. “Surrealism.”
https://www.tate.org.uk/art/art-terms/s/surrealism

Velázquez, Diego. “Las Meninas.” Museo del Prado.
https://www.museodelprado.es/en/the-collection/art-work/las-meninas/9fdc5f42-5e09-4c5a-9d50-70b43fca0a30

Walker, Kara. “Artist Overview.” Tate.
https://www.tate.org.uk/art/artists/kara-walker-2660

Winckelmann, Johann Joachim. History of the Art of Antiquity. 1764.
English edition via Project Gutenberg:
https://www.gutenberg.org/ebooks/21891