Veronica Henry started her writing career in radio television, writing for shows such as The Archers, Heartbeat and Holby City, before she decided to try her hand at writing novels. It worked out pretty well - she is now a bestselling author who has written over twenty novels. Her latest novel, Thirty Days in Paris, is out now.
We had a fun chat with Veronica, hearing how she made her start in the creative world doing sound effects for TV shows, and becoming a script editor on the legendary British soap, Crossroads. She tells us why she made the move from TV to writing novels, how she deals with notes and suggestions from others, and why deadlines are helpful to her writing.
Link: Buy Veronica's books now Visit Veronica's website Follow Veronica on Twitter

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Ep. 167 - Veronica Henry on moving from writing for TV to becoming a bestselling author and why deadlines are helpful

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On Page One - The Writer's Podcast, we talk to writers of all descriptions (authors, screenwriters, comic writers and more) about their writing process and how they craft their next great works. We also explore their career, including how their first big break happened, and discuss the ups and downs along the way. We learn something new every episode, and we hope you do as well.
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Watch this episode as a full video interview on our YouTube channel
Becky Brown and Norah Perkins are both literary agents with a twist - they founded and head up Curtis Brown's Heritage section, meaning that they represent the estates of authors such as AA Milne, Iris Murdoch and many more. They also recently won Literary Agent of the Year at the British Book Awards 2024 for their pioneering work in this field.
We had a fascinating chat with Becky and Norah about how they got started in this field, and learned about the differences (and similarities) with the "normal" world of agenting. We also chatted about why all authors with published works should think about their posthumous rights.
Links: Visit Norah's Curtis Brown webpage Visit Becky's Curtis Brown webpage Follow Curtis Brown Heritage on Twitter/X
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Ep. 192 - Literary Agents of the Year Becky Brown and Norah Perkins on why authors should think about their wills

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Julie Crisp is a literary agent and editor with over fifteen years’ experience working for three major houses across a broad spectrum of commercial titles within fiction, non-fiction and children’s. This also included three years spent working in the Australian publishing industry. For nine years, she headed up the UK arm of one of the largest global brands of science fiction and fantasy, Tor. She has worked on bestselling and award-winning authors such as Ann Cleeves, Peter F. Hamilton, China Miéville, Neal Asher, Amanda Hocking, Naomi Novik and TV/Game partnerships including Halo, The Returned, The Walking Dead and Twin Peaks. As an agent she is actively looking to build my list and is looking for historical fiction, crime/thrillers, bookclub fiction and science fiction and fantasy. Her clients include John Gwynne, Devin Madson, C.T. Rwizi and Sam Hawke.
We had a great time chatting with Julie and hearing how she got her start in the publishing world as an editorial assistant, and learn how she uses her editorial experience in her role as a literary agent. We also talk about the growing popularity of genre fiction, as well as talking in detail about queries: the importance of the query letter and comp titles, and what highlights certain things as red flags in some queries that she sees.
Links: Visit Julie's website to query her now Follow Julie on Twitter/X
Page One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-one
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Ep. 191 - Literary agent Julie Crisp on the red flags she sees in query letters and more

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John Baker is a literary agent for Bell Lomax Moreton, focused on sci fi, fantasy and horror. He is the Secretary of the Association of Author's Agents and is co-chair of the AAA Bridge Committee. He also serves on the Kingston University MA Publishing Advisory Board. He is building a small but unique list of authors, who all share a passion for subverting expectations and creating rich new worlds of adventure, including authors like AM Shine, whose book The Watchers is soon to be a film produced by M Night Shyamalan.
We had great fun chatting with John about how he got started in the world of agenting, and hearing why he enjoys writing that takes a big swing and is different from what people might expect. Plus, he tells us about the importance of query letters and what can help make a query stand out in the thousands that he receives each year.
Links: Follow John on Twitter/X Visit Bell Lomax Moreton's website
Page One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-one
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Ep. 190 - Literary agent John Baker on why he likes to take big swings as an agent

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Jonny Geller joined Curtis Brown in 1993 as an assistant after a short career as an actor. He became a literary agent in 1995 after discovering a novel on the unsolicited pile which went on to sell rights around the world. After taking part in a Management Buyout in 2001, he became CEO of the Agency in 2012 and is now CEO of The Curtis Brown Group, the parent company of Curtis Brown agency, C&W;, Ed Victor Ltd, Curtis Brown Creative (CBC), Tavistock Wood, Markham Froggatt and Irwin, Cuba Productions and Chair of CBC.
Jonny represents a wide range of globally significant writers including novelists, memoirists, Journalists, former Prime Ministers, thought leaders, business people, actors, musicians and screenwriters. Jonny has previously been awarded Literary Agent of the Year and has been listed on The Bookseller’s 150 every year since its inception. He has also been named one of the Evening Standard's 1000 Most Influential People in London and was profiled in The Telegraph.
We had a great time chatting with Jonny and hearing how he got into agenting. We also hear why he thinks query letters are so important, and dive into what an agent's role really involves for their authors.
Links:
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Page One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-one
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Ep. 189 - Literary agent Jonny Geller on the importance of query letters and the role of an agent

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Francesca Riccardi is a literary agent with Kate Nash Literary Agency who has over fifteen years of experience in the publishing industry, starting at RNIB where she transcribed books into accessible formats for blind and partially sighted readers. She has since worked in sales and marketing roles at publishers Canelo, Atlantic Books, Constable & Robinson and HarperCollins.
Francesca reads widely, especially across popular commercial genres, but is a particular fan of crime and thrillers, and loves a dogged detective or unusual sleuth. She also enjoys books about unusual family dynamics, toxic friendships and people keeping secrets.
We had a great time speaking with Francesca, hearing about what she looks for in queries and what aspiring authors should - and shouldn't - do to hook that agent! Plus, we hear how her time in publishing helps her in her role as an agent, and discuss how important the different parts of a query package are.
Links:
Visit the Kate Nash Literary Agency Follow Francesca on Twitter/X
Page One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-one
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Ep. 167 - Veronica Henry on moving from writing for TV to becoming a bestselling author and why deadlines are helpful

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