Part 2 picks up from where you left off at Part 1 where you conformed the first edit in Flame and created the Connected Conform. Shortly after a new version of the edit was supplied and this was added into the Connected Conform. Now you’ll start adding standard VFX to all the sequences using the Shots Sequence. This allows you to apply the VFX once and it affects all the sequences within the Connected Conform. As as always… you will get revised edits of the production at any point and you’ll deal with that when it happens.