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Vineyard vs Shoebox Concert Halls (Extract of EP011 about the science of concert halls with Tapio Lokki)
In Episode 011 of the High Point podcast, Tapio Lokki explained the acoustic differences between vineyard and shoebox concert halls.
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Tapio Lokki is professor at Aalto University in Finland.
His passion is to understand how rooms modify the sound that we hear.
To pursue the encompassing understanding of room acoustics, his research team is investigating auralization, spatial sound reproduction, binaural technology, and novel objective and subjective evaluation methods, as well as physically-based room acoustics modelling methods.
Particularly, the interest has been in concert halls, in which the team has developed new measurement techniques, analysis methods for spatial impulse responses, and sensory evaluation methods to understand the perceptual differences between concert halls.
In this episode, Tapio talks to us about:
How wood fibre pulp is used as a net-zero sound absorber.
We also listen to some of Tapio’s recordings to compare the acoustics of the Berlin Concert House, Vienna Musikverein, Helsinki Musiikkitalo, and the Berliner Philharmonie.
To know more about Tapio's research, follow this link.
Find out more about Morecambe Winter Gardens on their website here.
For more episodes of the High Point podcast, follow this link.
or this one for Youtube.
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Following Atelier Crescendo or the High Point podcast
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To follow the High Point podcast on Instagram, follow this link. We try to share as many pictures as possible of the places we visit.
To follow the Atelier Crescendo on Linkedin, follow this link.
To follow the High Point podcast on Linkedin, follow this link.
To follow the Atelier Crescendo and the High Point podcast on Twitter, follow this link.
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More tips and guidance on acoustic design of performing arts facilities
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visit Atelier Crescendo's blog here.
View all episodes
By Atelier CrescendoIn Episode 011 of the High Point podcast, Tapio Lokki explained the acoustic differences between vineyard and shoebox concert halls.
--------------------------------------------------------
Tapio Lokki is professor at Aalto University in Finland.
His passion is to understand how rooms modify the sound that we hear.
To pursue the encompassing understanding of room acoustics, his research team is investigating auralization, spatial sound reproduction, binaural technology, and novel objective and subjective evaluation methods, as well as physically-based room acoustics modelling methods.
Particularly, the interest has been in concert halls, in which the team has developed new measurement techniques, analysis methods for spatial impulse responses, and sensory evaluation methods to understand the perceptual differences between concert halls.
In this episode, Tapio talks to us about:
How wood fibre pulp is used as a net-zero sound absorber.
We also listen to some of Tapio’s recordings to compare the acoustics of the Berlin Concert House, Vienna Musikverein, Helsinki Musiikkitalo, and the Berliner Philharmonie.
To know more about Tapio's research, follow this link.
Find out more about Morecambe Winter Gardens on their website here.
For more episodes of the High Point podcast, follow this link.
or this one for Youtube.
-----------------------------------------------------------------------
Following Atelier Crescendo or the High Point podcast
-----------------------------------------------------------------------
To follow the High Point podcast on Instagram, follow this link. We try to share as many pictures as possible of the places we visit.
To follow the Atelier Crescendo on Linkedin, follow this link.
To follow the High Point podcast on Linkedin, follow this link.
To follow the Atelier Crescendo and the High Point podcast on Twitter, follow this link.
-----------------------------------------------------------------------
More tips and guidance on acoustic design of performing arts facilities
-----------------------------------------------------------------------
visit Atelier Crescendo's blog here.