PAUL CHANDLER, THE SHY YETI lloks at THE LUCY SHOW and HERE'S LUCY.

First broadcast on FAB RADIO INTERNATIONAL at 19:00 on May 3rd 2026.

As a lot of you may already know from one or two of his previous appearances on VISION ON SOUND, our friend PAUL CHANDLER, THE SHY YETI himself, is a big fan of the kind of archive television that features women in prominent roles, holding their own against the prevailing masculine dominance that featured in most of the television of the time. PAUL has come on to the show to talk about the more female-oriented dramas and comedies that were being made at the time, featuring women who were far more than just the sidekicks, housewives and mothers that society often demanded that they portray, and somehow managed to break the moulds, constraints and expectations that America and the world insisted women should meekly conform to.

One of the many names that he has enjoyed talking about is LUCILLE BALL, who was something of a powerhouse in American television not least because of her six-year stint on the sitcom I LOVE LUCY in the 1950s. Such was her star power that she became a legendary television producer with DESILU PRODUCTIONS which went on to produce three of the most iconic drama series of the 1960s, THE UNTOUCHABLES, STAR TREK and MISSION: IMPOSSIBLE, two of which are still proving to be just as popular today as they were back in the 1960s.

PAUL has recently been watching two of LUCILLE BALL’s later sitcom successes and wanted to discuss what he had seen of them with me today. These were the ground-breaking THE LUCY SHOW from the mid-1960s, and HERE’S LUCY which followed it. Both of these shows ran for six seasons, and were just as popular when she chose to end them as they always had been, with the latter holding its own alongside other iconic series such as THE MARY TYLER MOORE SHOW and BEWITCHED in the cauldron of female emancipation that brewed in the early 1970s.

PLEASE NOTE - For Copyright reasons, musical content sometimes has to be removed for the podcast edition. All the spoken word content remains (mostly) as it was in the broadcast version. Hopefully this won't spoil your enjoyment of the show.