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On this episode of The VU my friend and neighbour Chris Evangelou started by telling me what it took to get him to leave homeland, Cyprus - in the Mediterranean, to come live in Canada. And, yes, there was a woman involved.
He shared the technical and creative significance of his "fresh, new" craft as a colourist which he does out of his 'boutique' business SLATE in Toronto.
We discussed his satisfaction with his work on the B&W film "Beautiful Evening. Beautiful Day". And his thoughts on the role of AI tools in the future of post-production.
By Dave BoireOn this episode of The VU my friend and neighbour Chris Evangelou started by telling me what it took to get him to leave homeland, Cyprus - in the Mediterranean, to come live in Canada. And, yes, there was a woman involved.
He shared the technical and creative significance of his "fresh, new" craft as a colourist which he does out of his 'boutique' business SLATE in Toronto.
We discussed his satisfaction with his work on the B&W film "Beautiful Evening. Beautiful Day". And his thoughts on the role of AI tools in the future of post-production.