The Atlanta Opera reimagines “La Belle et la Bête,” Philip Glass’s hypnotic fusion of live performance and Jean Cocteau’s 1946 film—where music and image merge into one dreamlike experience. Then, a once-banned Black cinema classic returns to the big screen: “The Spook Who Sat by the Door, newly restored in 4K, with insight from Nomathandé Dixon and Natiki Hope Pressley, daughters of the film’s director and screenwriter.

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